Out to avenge his mother’s death, a college student pledges a secret order and lands in a war between werewolves and practitioners of dark magic.

Years after a disastrous job in Baluchistan, a former Indian spy must confront his past when he returns to lead an unsanctioned hostage-rescue mission.

After learning that he is from another planet, a warrior named Goku and his friends are prompted to defend it from an onslaught of extraterrestrial enemies.

When everyone else mysteriously vanishes from their wealthy town, the teen residents of West Ham must forge their own society to survive.

Hong Gil-dong is a 2008 South Korean television series starring Kang Ji-hwan in the title role, Sung Yu-ri, Jang Keun-suk and Kim Ri-na. The drama is loosely based on Hong Gil-dong, a fictional book about a Robin Hood during Korea’s Joseon Dynasty, but with modern influences and comedic tones. It aired on KBS2 from January 2 to March 26, 2008 on Wednesdays and Thursdays at 21:55 for 24 episodes.

For two friends on the brink of losing everything, a dusty pipe dream of opening up an upscale restaurant in their hometown of the Bronx is all they have left to turn their lives around. Together, they take on the insanity of the New York restaurant world, and navigate its underbelly of petty criminals, corrupt officials and violent mobsters.

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Set against the backdrop of one of the most explosive times in U.K. history, Guerrilla tells the story of a politically active couple whose relationship and values are tested when they liberate a political prisoner and form a radical underground cell in 1970s London.

Jeremiah is an American television series starring Luke Perry and Malcolm-Jamal Warner that ran on the Showtime network from 2002 to 2004. The series takes place in a post-apocalyptic future where most of the adult population has been wiped out by a deadly virus.

A woman organizes an escape plan camouflaged as a kidnapping to protect her children from her husband’s enemies.

The Covert Investigations Unit (CIU) risks going undercover to infiltrate and bring down criminal organizations. In this new style of short-term, high-intensity undercover work, each covert “play” is crafted quickly and executed at an even faster pace. Placed into various worlds of crime without a safety net, the cops are in constant danger, as they repeatedly go off the grid. Wearing wires, coaxing confessions, and setting up stings, the cops of the CIU must think quickly, talk smoothly, and rely on pure instinct. They slip in and out of characters so often that, sometimes, they lose track of who they really are.