Drama following the lives of a group of midwives working in the poverty-stricken East End of London during the 1950s, based on the best-selling memoirs of Jennifer Worth.

Vinnie Terranova does time in a New Jersey penitentiary to set up his undercover role as an agent for the OCB (Organized Crime Bureau) of the United States. His roots in a traditional Italian city neighborhood form the underlying dramatic base throughout the series, bringing him into conflict with his conservative mother and other family members while acting undercover as syndicate enforcer.

Beowulf, a hero of the Geats, comes to the aid of Hrothgar, the king of the Danes, whose mead hall in Heorot has been under attack by a monster known as Grendel.

Anna Pihl is a Danish police drama produced by TV2. The series stars Charlotte Munck as the title character Anna Pihl, Peter Mygind, and Iben Hjejle as Mikala. Three seasons have been produced, each having 10 episodes.

The show follows the work and personal life of Anna Pihl, a policewoman at the Bellahøj police station in Copenhagen. She is divorced, and lives with her son, Mikkel, in a flat shared with Jan, her gay male friend. The show focuses on personal stories and realism: although it has action and suspense, it comes second to more realistic material.

Besides Denmark, the series has been broadcast in Iceland, Sweden, Norway and Finland. In Germany, the show was cancelled due to low ratings after the first nine episodes of season 1. A late night re-run started in September 2008. Season one aired in Estonia and in Australia on SBS One. In USA, Latin America and Portugal, Anna Pihl airs on Eurochannel.

The theme song for season 1 was “Crosshair” by Blue Foundation, while the theme song for seasons 2 and 3 was “In the End I Started” by Swedish singer Maria Marcus and Dane Niels Brinck.

Young CIA analyst Joe Turner has his idealism tested when he learns that the CIA has been using an algorithm he developed to spy on American citizens, leading the organization to a terrorist plot that threatens the lives of millions. Inspired by Sydney Pollack’s 1975 political thriller Three Days of the Condor.

Wiped clean of memories and thrown together, a group of strangers fight to survive harsh realities — and the island that traps them.

Theorizing that one could time travel within his own lifetime, Dr. Sam Beckett stepped into the Quantum Leap accelerator and vanished… He woke to find himself trapped in the past, facing mirror images that were not his own and driven by an unknown force to change history for the better. His only guide on this journey is Al, an observer from his own time, who appears in the form of a hologram that only Sam can see and hear. And so Dr. Beckett finds himself leaping from life to life, striving to put right what once went wrong and hoping each time that his next leap will be the leap home.

The series centers on Ryan Atwood, a troubled youth from a broken home who is adopted by the wealthy and philanthropic Sandy and Kirsten Cohen. Ryan and his surrogate brother Seth, a socially awkward yet quick-witted teenager, deal with life as outsiders in the high-class world of Newport Beach. Ryan and Seth spend much time navigating their relationships with girl-next-door Marissa Cooper, Seth’s childhood crush Summer Roberts, and the fast-talking loner Taylor Townsend. Story lines deal with the culture clash between the idealistic Cohen family and the shallow, materialistic, and closed-minded community in which they reside. The series includes elements of postmodernism, and functions as a mixture of melodrama and comedy.

In his funky California beach enclave, Chip’s the go-to guy for personal insights. But he isn’t quite as enlightened when it comes to his own baggage.

Extreme Makeover: Home Edition is an American reality television series providing home improvements for less fortunate families and community schools. The show is hosted by former model, carpenter and veteran television personality Ty Pennington.

Each episode features a family that has faced some sort of recent or ongoing hardship such as a natural disaster or a family member with a life-threatening illness, in need of new hope. The show’s producers coordinate with a local construction contractor, which then coordinates with various companies in the building trades for a makeover of the family’s home. This includes interior, exterior and landscaping, performed in seven days while the family is on vacation and documented in the episode. If the house is beyond repair, they replace it entirely. The show’s producers and crew film set and perform the makeover but do not pay for it. The materials and labor are donated. Many skilled and unskilled volunteers assist in the rapid construction of the house.

EM:HE is considered a spinoff of Extreme Makeover, an earlier series providing personal makeovers to selected individuals, which the Home Edition has now outlasted. This show displays extreme changes to help recreate someone’s space. However, the format differs considerably; in the original Extreme Makeover, for instance, participants were not necessarily chosen based on any recent hardship, whereas the family’s backstory is an important component of Home Edition. EM:HE also has similarities to other home renovation series such as Trading Spaces, on which Pennington was previously a key personality.

Nature made Ash Lynx beautiful; nurture made him a cold ruthless killer. A runaway brought up as the adopted heir and sex toy of “Papa” Dino Golzine, Ash, now at the rebellious age of seventeen, forsakes the kingdom held out by the devil who raised him. But the hideous secret that drove Ash’s older brother mad in Vietnam has suddenly fallen into Papa’s insatiably ambitious hands—and it’s exactly the wrong time for Eiji Okamura, a pure-hearted young photographer from Japan, to make Ash Lynx’s acquaintance…

(Source: Viz)

Set in a small restaurant in the corner of a shopping district. The unusual eatery is only open after midnight, and its standard menu consists of just a single choice. However, the customers still come for the amusing chatter and the proprietor’s willingness to cook any dish that they request. This drama depicts the lives of the restaurant’s patrons, including a yakuza, an unsuccessful actor, a group of office ladies, a newspaper delivery boy, and a stripper.