Boardwalk Empire is a period drama focusing on Enoch “Nucky” Thompson (based on the historical Enoch L. Johnson), a political figure who rose to prominence and controlled Atlantic City, New Jersey, during the Prohibition period of the 1920s and 1930s. Nucky interacts with several historical figures in both his personal and political life, including mobsters, politicians, government agents, and the common folk who look up to him. The federal government also takes an interest in the bootlegging and other illegal activities in the area, sending agents to investigate possible mob connections but also looking at Nucky’s lifestyle—expensive and lavish for a county political figure.
Primetime Emmy Award-winning screenwriter and producer Terence Winter adapted the show from Boardwalk Empire: The Birth, High Times, and Corruption of Atlantic City, a book by Nelson Johnson about historical criminal kingpin Enoch L. Johnson.
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After failing his college entrance exams, 18 year-old Tsukasa Mizugaki is offered a position at the renowned SAI Corporation, known for its production and management of Giftia, androids that possess human emotions. Tsukasa’s position is in the terminal service department where the main job is to recover Giftias that are close to their expiration, a graveyard department in every sense. To make matters worse, Tsukasa is ordered to work with Isla, a female Giftia who is never given any responsibility other than serving tea to co-workers.
An epic biblical saga of faith, ambition and betrayal as told through the eyes of the battle-weary King Saul, the resentful prophet Samuel and the resourceful young shepherd David—all on a collision course with destiny that will change the world. One thousand years before Christ, the first king of the Israelites, Saul, struggles to unify the 12 Israelite tribes and defend his fledgling nation against savage enemy attacks. The prophet Samuel relays a message from God to King Saul that he must destroy one of Israel’s ancient enemies. But when Saul defies that message, Samuel prophesies that the Lord will tear the kingdom of Israel from him and choose another in his place. In time, Saul comes to realize that his greatest threat will not come from his enemies, but from the shepherd, David.
Two teenage boys secretly meet up in a cabin, bear witness to a shooting and barely escape with their lives. Desperate to keep their relationship a secret and in fear of being found by the perpetrator, they remain silent but soon learn that what has been seen cannot be unseen — and when you witness a horrible event, it changes everything.
When Stella finds out her terminal cancer is cured, she’s going to have to learn to live with all the choices she’s made when she decided to “live like she was dying”.
The series begins with Becca on the eve of her second wedding. It all seems perfect this time around, but she is still plagued by doubt. What if she could fix everything, and make the ‘right’ choices this time? Becca finds herself thinking about her former best friend Lolly, with whom she had a falling out many years ago. If only she could talk to her once again… Suddenly, after a freakish elevator ride, Becca gets the opportunity to do just that as she wakes up in New York City on the morning of her first wedding day in 1995. She’s about to marry Sean, a bad-boy artist who is all wrong for her – and she knows her first move must be to reconnect with Lolly to re-live that day. Can she ‘make it right’ by living her life all over while re-adapting to life in New York City in the 90’s – a time of smoking in bars, carrying pagers, having an AOL email address? Becca will soon discover there’s no sure-fire way to make the right choices in life – even knowing everything she thinks she knows now.
There is a place after death that’s neither heaven nor hell. A bar that serves you one chance to win. You cannot leave until the game is over, and when it is, your life may be too. From Studio Madhouse (Death Note, Black Lagoon) comes a thrilling new series where the stakes are high and the rules are simple: your life is on the line.
When an unidentified woman is found brutally murdered, Detective Molly McGee teams up with fellow cop, Alex O’Connell—with whom she shares a tragic past—to solve the crime.
“The Night Shift” focuses on the men and women who work the overnight shift at San Antonio Memorial Hospital. They are an irreverent and special breed, particularly adrenaline junkie T.C. Callahan. After three grueling tours of duty in Afghanistan, T.C. is about to learn that his toughest battles will be fought right here at home. He and his team of late-night docs, including best friend Topher and protégé Drew, know how to let off steam with the casual prank or two, but when lives are at stake, they are all business. Unfortunately, the night shift is now under new senior management and boss Michael Ragosa, who has to balance the real-world pressures of cutting costs while battling the stigma that he is more interested in saving money than helping people.
Fresh Meat is an award-winning British sitcom created by Jesse Armstrong and Sam Bain, who also created Peep Show. The first episode, directed by David Kerr, was broadcast on Channel 4 on 21 September 2011, and aired on Wednesdays at 10 pm. Fresh Meat marked the acting début of comedian Jack Whitehall and also stars Kimberley Nixon of Cranford and Joe Thomas of The Inbetweeners. Channel 4 described the show as a comedy drama. The second series started airing on 9 October 2012, and comprised 8 episodes. On 22 November 2012, a third series was commissioned. Sam Bain, a co-creator of Fresh Meat, has revealed that ideas are being developed for a potential movie adaptation.
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