8 Out of 10 Cats is a British television comedy panel game produced by Zeppotron for Channel 4. It was first broadcast on 3 June 2005. The show is based on statistics and opinion polls, and draws on polls produced by a variety of organizations and new polls commissioned for the programme, carried out by company Harris Poll. The show’s title is derived from a well-known advertising tagline for Whiskas cat food, which originally claimed that “8 out of 10 cats prefer Whiskas”.
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Comedy about one big happy family and their sometimes awkward, often hilarious and ultimately beautiful milestone moments as told by its various members. Of the three siblings, middle child Matt may have just found his true love, his co-worker, Colleen; his coddled youngest brother, Greg, and his wife, Jen, are overwhelmed by the birth of their first child; and the eldest, Heather, and her husband, Tim, are dreading their impending empty nest so much, they’re considering having another baby. Their parents are Joan the family’s adoring matriarch who would do anything for her kids – as long as she agrees with it – and John, the gregarious patriarch who’s searching for ways to soften the blow of turning 70. As the family’s lives unfold in four short stories each week, they try to savor these little pieces of time that flash by but stay with you forever, because these moments add up to what life’s all about.
Benson is an American television sitcom which aired from September 13, 1979, to April 19, 1986, on ABC. The series was a spin-off from the soap opera parody Soap; however, Benson discarded the soap opera format of its parent show in favor of a more conventional sitcom structure. The series was created by Susan Harris, and produced by Witt/Thomas/Harris Productions.
Tales from the Crypt, sometimes titled HBO’s Tales from the Crypt, is an American horror anthology television series that ran from June 10, 1989 to July 19, 1996 on the premium cable channel HBO for seven seasons with a total of 93 episodes. The title is based on the 1950s EC Comics series of the same name and most of the content originated in that comic or the four other EC Comics of the time. The show was produced by HBO with uncredited association by The Geffen Film Company and Warner Bros. Television. The series is not to be confused with the 1972 film by the same name or Tales from the Darkside, another similarly themed horror anthology series.
Because it was aired on HBO, a premium cable television channel, it was one of the few anthology series to be allowed to have full freedom from censorship by network standards and practices as a result, HBO allowed the series to contain graphic violence as well as other content that had not appeared in most television series up to that time, such as profanity, gore, nudity and sexual situations, which could give the series a TV-MA rating for today’s standards. The show is subsequently edited for such content when broadcast in syndication or on basic cable. While the series began production in the United States, in the final season filming moved to Britain, resulting in episodes which revolved around British characters.
Fourwomen,asmuggler,ahacker,aconartistandanaccountant,arerecruitedbyasecretorganizationknownonlyasTheProject,toseekoutanddestroysupernaturalanddemonicthreats.
Four years ago, Kazuma Kannagi was defeated by his cousin Ayano Kannagi for the right to be the successor of Enraiha, a sword passed down in the Kannagi family. His defeat, along with his lack of talent for En-Jutsu, the fire arts, the Kannagis’ specialty, resulted in his banishment from the family. Now, Kazuma returns as Kazuma Yagami, a skilled master of Fū-Jutsu, the wind arts.
A contemporary take on a seemingly perfect Catholic family, whose lives take an unexpected turn when surprising truths are revealed. Instead of ruining their family, the honesty triggers a new, messier chapter where everyone stops pretending to be perfect and actually starts being real.
The 4077th Mobile Army Surgical Hospital is stuck in the middle of the Korean war. With little help from the circumstances they find themselves in, they are forced to make their own fun. Fond of practical jokes and revenge, the doctors, nurses, administrators, and soldiers often find ways of making wartime life bearable.
Javier is going through a bad patch: he can hardly make it to the end of the month, his business of T-shirts with de-motivational slogans is not quite getting the attention, and his relationship with Lola is shacking. The least thing he needed was for an alien to fall on him and transfer his powers to him before dying.
