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Ross Kemp: Extreme World

Ross Kemp: Extreme World

Ross Kemp travels around the world talking to people involved in illicit trades, locals who have been affected by violence and hardship, and the authorities who are attempting to combat the problems. In each episode he attempts to establish contacts within the groups in order to get close to the ringleaders.

  • Duration: 60
  • IMDb: 10

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IMDb: 1
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Australian Story is a national weekly documentary series, produced and broadcast on ABC Television. Since 1996 Australian Story has featured many Australians from diverse backgrounds and reputations. Examples include Hazel Hawke, rugby league coach Wayne Bennett, Australia’s first female Prime Minister Julia Gillard, comedian & broadcaster Red Symons, actor and author William McInnes, former Governor-General Peter Hollingworth, fashion designers Sass & Bide, art-activist Van Rudd, Crocodile Hunter Steve Irwin and actress and singer Belinda Emmett. Lower profile Australians have also been profiled, such as Sabina Wolanski who was the Holocaust survivor chosen to represent the six million dead at the opening of the Memorial to the Murdered Jews of Europe.

There is no reporter narration – the stories are ‘told’ by the profile subjects and other individuals such as friends, family, colleagues and critics. The program aims to present a varied and contrasting picture of contemporary Australia and Australians, both known and unknown.

But on the whole, the personal approach to story-telling has been very well received with the program winning many professional awards including seven Walkley Awards for excellence in journalism and four consecutive Logie Awards.

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Dead of Winter

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Undercover Boss is a multi Emmy Award winning American 2010 reality television series, based on the British series of the same name and produced by Studio Lambert in both countries. Each episode depicts a person who has a high management position at a major business, deciding to become undercover as an entry-level employee to discover the faults in the company. The first series consisted of nine episodes produced in 2009 and first aired on February 7, 2010, on CBS. Companies that appear on the series are assured that the show will not damage their corporate brand.

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True Conviction

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The real-life stories of how homicides are solved on the street and won in the courtroom. Host Anna-Sigga Nicolazzi, a decorated Brooklyn prosecutor, takes you inside the fight for justice for victims and their loved ones.

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Outrageous Acts of Psych

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IMDb: 6
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Hard Time

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InSeason3,HardTimetakesviewersonayearlongjourneybehindbars,followingthelivesofthosewhoworkandservetimeintwoofGeorgia’stoughestmaximum-securityprisons.EpisodesincludeBattleBehindBars,WorldWithoutMen,WomenonLockdown,Gangsvs.God,CellphoneWar,PrisonerProtest,TheConvictCycleandTheOutsiders.

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Impossible Engineering

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The Story of Film: An Odyssey

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The Story of Film: An Odyssey is a documentary series about the history of film, presented on television in 15 one-hour chapters with a total length of over 900 minutes. It was directed and narrated by Mark Cousins, a film critic from Northern Ireland, based on his 2004 book The Story of Film.

The series was broadcast in September 2011 on More4, the digital television service of UK broadcaster Channel 4. The Story of Film was also featured in its entirety at the 2011 Toronto International Film Festival, and it was exhibited at the Museum of Modern Art in New York City in February 2012. It was broadcast in the United States on Turner Classic Movies beginning in September 2013.

The Telegraph headlined the series’ initial broadcast in September 2011 as the “cinematic event of the year”, describing it as “visually ensnaring and intellectually lithe, it’s at once a love letter to cinema, an unmissable masterclass, and a radical rewriting of movie history.” An Irish Times writer called the program a “landmark”.

In February 2012, A. O. Scott of The New York Times contrasted the project with its “important precursor”, Jean-Luc Godard’s Histoire du cinéma. In contrast to the Godard project, which Scott called “personal, polemical and sometimes cryptic”, Scott described Cousins’ film as “a semester-long film studies survey course compressed into 15 brisk, sometimes contentious hours” that “stands as an invigorated compendium of conventional wisdom.” He also commended its “refusal to be nostalgic”.

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