Happy Days is an American television sitcom that aired first-run from January 15, 1974 to September 24, 1984 on ABC. Created by Garry Marshall, the series presents an idealized vision of life in the mid-1950s to mid-1960s United States.
The series was produced by Miller-Milkis Productions and Henderson Productions in association with Paramount Network Television.
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Twelve-year-old overachiever Layne finds her orderly life thrown into a tailspin when she discovers a sophisticated talking car named “V.I.N.” hidden in an abandoned shed. With the help of her eccentric neighbor Zora, Layne embarks on a high-speed adventure filled with bad guys, secret agents and other surprises to unlock the mystery behind V.I.N.’s creation.
Helmed by the easily distracted Dr. Roberts, a psychotherapeutic facility treats patients with troubling dreams. Roberts employs a team of incompetent scientists to help analyze and record those thoughts plaguing the doctor’s patients.
Esther and Benji are platonic best friends who want nothing more than to be accepted by the vain and status-obsessed culture of Los Angeles. Despite their sometimes contentious relationship, when push comes to shove, they’ve got each other’s back … And they have nobody else to hang out with.
Maude is an American television sitcom that was originally broadcast on the CBS network from September 12, 1972 until April 22, 1978.
Maude stars Bea Arthur as Maude Findlay, an outspoken, middle-aged, politically liberal woman living in suburban Tuckahoe, Westchester County, New York with her fourth husband, household appliance store owner Walter Findlay. Maude embraced the tenets of women’s liberation, always voted for Democratic Party candidates, strongly supported legal abortion, and advocated for civil rights and racial and gender equality. However, her overbearing and sometimes domineering personality often got her into trouble when speaking out on these issues.
The program was a spin-off of All in the Family, on which Beatrice Arthur had first played the character of Maude, Edith Bunker’s cousin; like All in the Family, Maude was a sitcom with topical storylines created by producer Norman Lear.
Unusual for a U.S. sitcom, several episodes featured only the characters of Maude and Walter, in what amounted to half-hour “two-hander” teleplays. Season 4’s “The Analyst” was a solo episode for Bea Arthur, who delivered a soul-searching, episode-length monologue to an unseen psychiatrist.
Detective Inspector Richard Poole is transferred to Sainte Marie, an island in the Caribbean. Totally unsuited to the Caribbean way of life, Richard hates the sun, sea and sand and isn’t used to the Sainte Marie style of policing. Working with the exotic Camille each week Richard investigates intricate and intriguing murders.
The Dick Van Dyke Show is an American television sitcom that initially aired on CBS from October 3, 1961, until June 1, 1966. The show was created by Carl Reiner and starred Dick Van Dyke, Rose Marie, Morey Amsterdam and Mary Tyler Moore. It centered around the work and home life of television comedy writer Rob Petrie. The show was produced by Reiner with Bill Persky and Sam Denoff. The music for the show’s theme song was written by Earle Hagen.
The series won 15 Emmy Awards. In 1997, the episodes “Coast-to-Coast Big Mouth” and “It May Look Like a Walnut” were ranked at 8 and 15 respectively on TV Guide’s 100 Greatest Episodes of All Time. In 2002, it was ranked at 13 on TV Guide’s 50 Greatest TV Shows of All Time.
The owners of a dive bar in Brooklyn, Horace and Pete, along with bar regulars share their experiences and lives with each other while drinking or working at the bar.
Jonathan Ames, a young Brooklyn writer, is feeling lost. He’s just gone through a painful break-up, thanks in part to his drinking, can’t write his second novel, and carouses too much with his magazine editor. Rather than face reality, Jonathan turns instead to his fantasies — moonlighting as a private detective — because he wants to be a hero and a man of action.
