Maria Altmann, an octogenarian Jewish refugee, takes on the Austrian government to recover a world famous painting of her aunt plundered by the Nazis during World War II, she believes rightfully belongs to her family. She did so not just to regain what was rightfully hers, but also to obtain some measure of justice for the death, destruction, and massive art theft perpetrated by the Nazis.
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After getting a car ride from an unknown man, Lisa wakes up in a tube. On her arm is strapped a bracelet with a countdown. She quickly understands that every 8 minutes, fire burns an occupied section. She has no choice but to crawl into safe sections to survive. To know why she’s there and how to get out, Lisa will have to face the memories of her dead daughter…
Dean Yoginder Vashisht, retired, has fallen gravely ill. Several students from his final year at St. Theresa’s College rush to his side. In flashbacks, they all recall the events that none of them have gotten over yet, including the dean, and how the “Student of the Year” competition shaped who they were, how they related, and what they’ve become.
He’s an unemployed guy who earns some money by giving lifts to strangers. She’s a graphic designer who just got her first job. The film tracks their relationship – and the way it gradually melts away – throughout a year. A subtle, moving portrait of an immature love that breaks down easily.
Orhan Pamuk – Turkey’s Nobel laureate for Literature – opens a museum in Istanbul. A museum that’s a fiction: its objects trace a tale of doomed love in 70’s Istanbul. The film takes a tour of the objects as the starting point for a trip through images, landscapes and the chemistry of the city. A film about Istanbul, love, memory and loss.
Soldier Brian Wood, is accused of war crimes in Iraq by the human rights lawyer Phil Shiner. The two men go head to head in a legal and moral conflict that takes us from the battlefield, at so-called Checkpoint Danny Boy, to the courtroom and one of Britain’s biggest ever public inquiries, the Al-Sweady Inquiry.
Adapted from Issue #1 of Frank Miller’s seminal 1986 comic series, filmmaker Wyatt Weed (“Shadowland,” “Four Color Eulogy”) offers his unofficial fan’s take on the Batman mythos. Following the death of Robin at the hands of the Joker, Bruce Wayne (Weed) hung up the cowl and cape 10 years ago. But now Gotham City is in the grip of a violent crime wave, and the venerable 55-year-old billionaire has to decide if the time is right for the Caped Crusader’s return. (This production is non-profit and is for entertainment purposes only. The production is in no way associated with DC Comics or Time Warner.)
Rose, a 17-year-old Filipino-American teenager from Texas, dreams of becoming a country music icon. She has to fend for herself when her mother is arrested by ICE, and must choose between following her dreams without her mother or leaving her passions behind.
Goliyon Ki Raasleela Ram-Leela is an adaptation of Shakespeare’s Romeo and Juliet, set in violent times.
After Faye and her psychotic boyfriend, Vince, successfully rob a mob courier, Faye decides to abscond with the loot. She heads to Reno, where she hires feckless private investigator Jack Andrews to help fake her death. He pulls the scheme off and sets up Faye with a new identity, only to have her skip out on him without paying. Jack follows her to Vegas and learns he’s not the only one after her. Vince has discovered that she’s still alive.
