Michal is 32 years old. She became religious 12 years ago, and only now is she getting married. A month before the wedding, while checking out the catering for the event, the groom has a change of heart and the wedding is called off. Michal feels she’s unable to go back to ordinary life, to the usual course of matchmaking. She feels this is the moment to change something very basic in her personality. A simple belief that God is good and sweet; that He wants to give and is only waiting for her to wish it. Michal goes on a month-long journey lasting up to the planned wedding day: “I have the venue, the dress, the apartment; God can easily come up with my groom.”
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This movie is a great compilation of the very silliest clips from some of the most awful “bimbo movies” of the past twenty years. It is laughably cheap. The only things added are some subtitles, dubing, and music. Made up from such fine films as “Assault of the Killer Bimbos”. They are stringed together to form a “plot” about aliens. Lots of pointless nudity, but it is somewhat well-paced. Stay for the final credits, which the narrator narrates.
A talented New York bartender takes a job at a bar in Jamaica and falls in love.
Two doctors find their graveyard shift inundated with townspeople ravaged by sores. Among the wounded is Cherry, a dancer whose leg was ripped from her body. As the invalids quickly become enraged aggressors, Cherry and her ex-boyfriend Wray lead a team of accidental warriors into the night.
Emily decides to air the skeletons in her closet and brave the scrutiny of a catty dinner party to win back her name.
Seibei Iguchi leads a difficult life as a low ranking samurai at the turn of the nineteenth century. A widower with a meager income, Seibei struggles to take care of his two daughters and senile mother. New prospects seem to open up when the beautiful Tomoe, a childhood friend, comes back into he and his daughters’ life, but as the Japanese feudal system unravels, Seibei is still bound by the code of honor of the samurai and by his own sense of social precedence. How can he find a way to do what is best for those he loves?
Our favourite police men are called together to deal with a gang who rob banks and jewelers. Using their various talents as well as their extraordinary luck, the crooks stand no chance against our men and women wearing blue..
A hilarious and heartfelt military comedy-drama co-directed by John Ford and Mervyn LeRoy, Mister Roberts stars Henry Fonda as an officer who’s yearning for battle but is stuck in the backwaters of World War II on a noncommissioned Navy ship run by the bullying Capt. Morton (James Cagney). Jack Lemmon enjoys a star-making turn as the freewheeling Ensign Pulver, and William Powell stars as the ship’s doctor in his last screen role. Based on the 1946 novel with the same name, by Thomas Heggen, and the 1948 Broadway play, written by Thomas Heggen and Joshua Logan. Henry Fonda also starred in the original Broadway production. Warner Bros. didn’t want Fonda to star in the film, as they thought he was too old, and had been a stage player for so long (8 years), that he no longer was box office material. However, John Ford insisted on Fonda and the company eventually agreed.
Old friends Tip and Brent go on a hallucinogenic mushroom trip through the desert to face their fears, doubts, and failures in hopes of coming to enlightenment… even if that just means learning how to change a tire.
For years, Doug Collins has been wading through a routine unsatisfying job and an increasingly miserable relationship. After his girlfriend moves out, Doug pushes himself to live a more fulfilling life starting with a trek to the summit of Mt. Kilimanjaro.
