James Lavelle played his first DJ set at 14, launched pioneering record label Mo’Wax at 18 and released the genre defining UNKLE album Psyence Fiction at 22. His phenomenally rapid rise seemed limitless, but it’s only when you’re going so fast that the wheels fall off. The Man from Mo’Wax tells the remarkable story of one of the most enigmatic yet influential figures in contemporary British culture. Unearthed from over 700 hours of footage including exclusive personal archive spanning three decades, we get the rare opportunity to watch a boy become a man in the world of music. The result is an exhilarating, no holds-barred ride into the life of an extraordinary man and an equally extraordinary era, taking in some decidedly flawed decision-making (both personal and professional), Lavelle emerges as an innovative artist who thinks big and consistently overcomes adversity.

(In)Visible Portraits shatters the too-often invisible otherizing of Black women in America and reclaims the true narrative as told in their own words.

When Kenny Scharf arrived in NYC in the early 1980’s, he quickly met and befriended Keith Haring and Jean Michel Basquiat; There, amongst the fervent creative bustle of a depressed downtown scene the trio would soon change the way we think about art, the world, and ourselves. But unlike Haring and Basquiat, who both died tragically young, Kenny lived through cataclysmic shifts in the East Village as well as the ravages of AIDS and economic depression. ‘When Worlds Collide’ is about the art of fun, about living life out loud, despite setbacks, and about Kenny Scharf’s particular do-it- yourself, high-tone, technicolor artistic vision.

A sobering look at the erosion of democracy & freedom of the press in the United States and abroad.

Can You Dig This explores the urban gardening revolution currently taking place in South Central Los Angeles, one of the largest food deserts in the country. We follow the inspirational personal journeys of five ‘gangster gardeners,’ all planting the seeds for a better life.

Don McGlynn’s uncompromising and soulful documentary look at the tumultuous life of musician and rebel Charles Mingus is fascinating stuff. Mingus said of himself “I am half black man, half yellow man, but I claim to be a Negro. I am Charles Mingus, the famed jazz musician–but not famed enough to make a living in America.” His statement summed up the conflict that plagued this musical genius his entire life: volatility, pain, prescience, and raw rage roiled inside a complex man, composer, bass player, and trombonist who transcended labels and refused to be pigeonholed into a single musical style–and who did not achieve real fame until late in his career.

With humor and empathy, Brené Brown discusses what it takes to choose courage over comfort in a culture defined by scarcity, fear and uncertainty.

Horror fan Tal Zimerman examines the psychology of horror around the world to find out why people love to be scared.

The danger is palpable as intrepid young filmmaker Nanfu Wang follows maverick activist Ye Haiyan (a.k.a Hooligan Sparrow) and her band of colleagues to Hainan Province in southern China to protest the case of six elementary school girls who were sexually abused by their principal. Marked as enemies of the state, the activists are under constant government surveillance and face interrogation, harassment, and imprisonment. Sparrow, who gained notoriety with her advocacy work for sex workers’ rights, continues to champion girls’ and women’s rights and arms herself with the power and reach of social media.

Culled from more than 100 hours of new and archival interviews with former Manson cult members, this two-hour special goes inside Spahn’s Ranch, where the Manson cult lived, to offer an intimate and terrifying look into America’s most murderous group.

In his newest election special, Triumph reports from both political conventions, covering the candidates, photobombing news anchors, harassing and pranking delegates, and making sure Roger Ailes and Debbie Wasserman Schultz find their way back in.

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