During a manned mission to Mars, Astronaut Mark Watney is presumed dead after a fierce storm and left behind by his crew. But Watney has survived and finds himself stranded and alone on the hostile planet. With only meager supplies, he must draw upon his ingenuity, wit and spirit to subsist and find a way to signal to Earth that he is alive.
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A young gymnast battles a group of bank robbers at the home of her boyfriend.
The peaceful realm of Azeroth stands on the brink of war as its civilization faces a fearsome race of invaders: orc warriors fleeing their dying home to colonize another. As a portal opens to connect the two worlds, one army faces destruction and the other faces extinction. From opposing sides, two heroes are set on a collision course that will decide the fate of their family, their people, and their home.
After John’s absent father is struck by a stray bullet, Primo takes it upon himself to verse the young boy in the code of the streets—one founded on respect and upheld by fear. A member of the Bloods since the age of twelve—both in the film and in reality—the streets of Brooklyn are all Primo has ever known. While John questions whether or not to enter into this life, Primo must decide whether to leave it all behind as he vows to become a better husband and father. Set during those New York summer weeks where the stifling heat seems to encase everything, Five Star plunges into gang culture with searing intensity. Director Keith Miller observes the lives of these two men with a quiet yet pointed distance, carefully eschewing worn clichés through its unflinching focus. Distinctions between fiction and real life remain intentionally ambiguous, allowing the story of these two men to resonate beyond the streets, as they face the question of what it means to be a man.
A trip to the remote forest in northern England goes terribly wrong when two best friends Josh and Nicole meet another hiker in the woods that ruins Josh’s plans.
An adopted Irish American artist confronts her past when both sets of parents come together over a weekend for her to paint a family portrait.
Abandoned by his mother shortly after immigrating to America, Gon is raised by the mafia and grows up to become a cold-blooded hitman. Though usually flawless in taking out his targets, Gon makes a terrible mistake of killing an innocent young girl. Swamped by feelings of regret, guilt and shame, Gon no longer wants to be a hitman, but his boss gives him one last mission. So Gon finds himself in Korea, the land of the mother that abandoned him, on the trail of his last target. But in bitter irony, that target is Mo-gyeong, the mother of the dead child.
Mark Thackeray (Poitier) is a West Indian, who in the 1967 film had taken teaching in a London East End school. He spent twenty years teaching and ten in administrative roles. He has taught the children of his former pupils, but is now retiring.
After years on the road establishing his reputation as Japan’s greatest fencer, Takezo returns to Kyoto. Otsu waits for him, yet he has come not for her but to challenge the leader of the region’s finest school of fencing. To prove his valor and skill, he walks deliberately into ambushes set up by the school’s followers. While Otsu waits, Akemi also seeks him, expressing her desires directly. Meanwhile, Takezo is observed by Sasaki Kojiro, a brilliant young fighter, confident he can dethrone Takezo. After leaving Kyoto in triumph, Takezo declares his love for Otsu, but in a way that dishonors her and shames him. Once again, he leaves alone.
Desperate for companionship, the repressed Willard befriends a group of rats that inhabit his late father’s deteriorating mansion. In these furry creatures, Willard finds temporary refuge from daily abuse at the hands of his bedridden mother and his father’s old partner, Frank. Soon it becomes clear that the brood of rodents is ready and willing to exact a vicious, deadly revenge on anyone who dares to bully their sensitive new master.