Trying to escape her broken past, Sarah O’Neill is building a new life on the fringes of a backwood rural town with her young son Chris. A terrifying encounter with a mysterious neighbour shatters her fragile security, throwing Sarah into a spiralling nightmare of paranoia and mistrust, as she tries to uncover if the disturbing changes in her little boy are connected to an ominous sinkhole buried deep in the forest that borders their home.
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Victor & Miranda try and resolve their failed marriage only after they independently attempt to kill each other on the same night.
A quirky anthology, consisting of four separate short films connected by host segments. The first one, BOOGIE WITH THE UNDEAD, has an all girl rock band booked to play a gig in a town overrun by flesh-eating zombies. In the second one, THE DEVIL’S DUE AT MIDNIGHT, a coven of beautiful witches conjure up Brad Dourif as The Devil, and endures the inept attacks of witch killer Ken Foree. In the first long segment, HER MORBID DESIRES, an actress gets the lead role in a vampire movie, only to discover that starlets are being murdered on the set. The other long segment, CRY OF THE MUMMY, has the reincarnated mummy, formerly the last Pharaoh of the 4th Dynasty, looking to sue the movie studios because he can’t get work as a mummy. His new lawyer offers to represent him as an agent, but the mummy will only work in film if he can direct.
After waking up from a horrific car accident, April must find a way to work through her trauma and a will to survive a recovery from hell.
A series of murders occur that mirror those committed by the Whitechapel Ripper. Through his experiments with psychoanalysis Dr Pritchard discovers a deadly violence in one of his young female patients. As he delves into the recesses of her mind he uncovers that Anna is possessed by her dead father’s spirit, willing her to commit acts of gruesome savagery over which she has no control. But the most chilling revelation of all is the identity of her father: Jack the Ripper himself.
During the pandemic, a burned-out teacher on the verge of a breakdown overhears his students making fun of him in a Zoom class and vows revenge.
The close-knit community of Brackenmore is harboring a secret. After the untimely death of an uncle she never knew she had, Kate (Sophie Hopkins) is forced to return to her ancestral home, a tiny rural village in the South of Ireland. Soon after her arrival she meets Tom (D.J. McGrath), a mysterious young local who helps her to rediscover her long-neglected roots and forget about the anxieties of her life in London. The longer Kate stays in Brackenmore, the more she begins to realize that the eccentricities of its self-protective residents, may be more ominous than she first thought and the secluded family estate is harboring a dark and ancient secret. From the opening scenes of a fateful car crash to the shocking ending Brackenmore weaves its ways under your skin shifting between classic horror to the mysteries of the occult. Cinematographer Justin McCarthy keeps a steady hand as he captures the silent fear that begins to grow as Hopkins uncovers the dark horror that is Brackenmore.
Yearning to break free from their sordid pasts, three sisters unite for a simple plan: steal enough drugs to set themselves up for a new life. But when the eldest sister Teig decides they’re going to hide out in their old, abandoned family house, its painful memories quickly become too real to fight off. Three sisters with a history, a suitcase full of stolen drugs, and a family house with a dark secret is the recipe for terror in House of Bad.
A young single mother is held captive along with her two children by a violent ex and must plot their escape before it’s too late