In the 18th Century, John Cavendish, a Scottish adventurer, arrives in Tuscany and makes his fortune from his expert knowledge of botany and agriculture. In the present day, Marcus Cavendish, an American painter and playboy with mounting debts, receives a letter from Chiara Conti, an Italian solicitor, who reveals to him that he is of the Cavendish blood line. She tells him that he is the heir of Peter Cavendish, the last descendant of John Cavendish. Believing that this potential fortune may solve his money problems – and may even sort his head out – Marcus travels to Tuscany to get his inheritance. Having arrived at Cavendish Castle, Marcus thinks he has solved all of his problems, but discovers that he has to fight an ancient evil that has tormented his family for centuries, so he realizes that money, property and land mean little when faced with a blood curse as a surprise inheritance.
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Graced with a velvet voice, 21-year-old Violet Sanford heads to New York to pursue her dream of becoming a songwriter only to find her aspirations sidelined by the accolades and notoriety she receives at her “day” job as a barmaid at Coyote Ugly. The “Coyotes” as they are affectionately called tantalize customers and the media alike with their outrageous antics, making Coyote Ugly the watering hole for guys on the prowl.
Douglas Elmore is an alcoholic writer and caretaker haunted by visions of his dead wife and pursued by supernatural forces bent on revenge for his past deeds. When tenants start turning up dead in the hallways and stairwells of his brownstone apartment building, Douglas suspects a strange but sexually alluring homeless prostitute named Karna who sleeps in his basement by day and prowls the empty city by night. But as the bodies pile up, Douglas is torn between his growing obsession with Karna and the threat of becoming a prime suspect in a murder investigation. Douglas must find the origin of the evil residing in the old Hagstone building before the secrets of his past return to destroy him.
The war film that’s not a war film. A film about the mental institution which backdrop is the Chechen war. A story about the patients living in an institution during the war on the border of Chechnia and Russia during the war. The patients have to continue living their day to day life after being invaded twice over, and they have to deal with their sicknesses.
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