Black Friday, the day after Thanksgiving November 2012, four boys in a red SUV pull into a gas station after spending time at the mall buying sneakers and talking to girls. With music blaring, one boy exits the car and enters the store, a quick stop for a soda and a pack of gum. A man and a woman pull up next to the boys in the station, making a stop for a bottle of wine. The woman enters the store and an argument breaks out when the driver of the second car asks the boys to turn the music down. 3½ minutes and ten bullets later, one of the boys is dead. 3½ MINUTES dissects the aftermath of this fatal encounter.

Joe Pendleton is a quarterback preparing to lead his team to the superbowl when he is almost killed in an accident. An overanxious angel plucks him to heaven only to discover that he wasn’t ready to die, and that his body has been cremated. A new body must be found, and that of a recently murdered millionaire is chosen. His wife and accountant, the murderers, are confused by this development, as he buys the L.A. Rams in order to once again quarterback them into the Superbowl.

Think of early electronic music and you’ll likely see men pushing buttons, knobs, and boundaries. While electronic music is often perceived as a boys’ club, the truth is that from the very beginning women have been integral in inventing the devices, techniques and tropes that would define the shape of sound for years to come.

The world fell in love with Glen Hansard and Markéta Irglová when their songwriting collaboration in the film Once (2006) culminated in a jubilant Oscar win. But behind the scenes, where Glen and Mar’s on-screen romance became reality, a grueling two-year world tour threatens to fracture their fated bond. Filmed in black and white, this music-filled documentary is an intimate look at the exhilaration and turmoil created by both love and fame.

From Sunrise Pictures, the long awaited Adam Ant documentary film, directed by Jack Bond. Featuring Charlotte Rampling, Mark Ronson, Jamie Reynolds, Allen Jones, John Robb.

Weed. Marijuana. Grass. Pot. Whatever you prefer to call it, America’s relationship with cannabis is a complicated one. In his directorial debut, hip hop pioneer Fab 5 Freddy presents an unparalleled look at the racially biased history of the war on marijuana. A range of celebrities and experts discuss the plant’s influence on music and popular culture, and the devastating impact its criminalization has had on Black and Latino communities. As more and more states join the push to legalize marijuana, this documentary dives deep into the glaring racial disparities in the growing cannabis market.

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I AIN’T SCARED OF YOU is a documentary tribute to Bernie Mac (1957-2008). From his stand-up in underground Chicago comedy clubs to the Big Screen in Hollywood, Bernie Mac’s sharp tongue and heart of gold resonated with millions of fans throughout his career.This film revisits much of his work through exclusive recordings of early stand-up, featured scenes from his film and TV appearances, and interviews with his co-stars, including Samuel L. Jackson, Cameron Diaz, Chris Rock, and many more. Testimonials from friends and family offer colorful anecdotes about Bernie Mac, from his practical jokes to his strong appreciation for manicures, and paint a vivid picture of who he was as an actor-comedian, husband, father, and friend.

I Believe I Can Fly (Flight of the Frenchies) is an amazing journey into the unknown. Two friends test the boundaries of free flight and friendship as they take their passion in a totally new direction. Join Tancrède and Julien on an incredible exploration into the world of free flight. The two friends are pioneers in ‘highlining’ – a vertiginous combination of climbing, slackline and tightrope walking. Using their skills and experience as climbers, the pair push their boundaries beyond the realms of possibility as they embark on a new evolution of their sport.

As the world prepares to celebrate the 60th anniversary of West Side Story in 2017, dancer Bruno Tonioli and broadcaster Suzy Klein go in search of the true stories behind the inception of this classic show. For the first time on television, they hear first-hand from those involved in the show when it opened on Broadway in September 1957, including Sondheim himself, producer Hal Prince and original cast members from both show and movie, including Chita Rivera Carol Lawrence and Rita Moreno. With the BBC Symphony Orchestra and specially cast singers, we re-live some of the wonderful music and, in the company of Suzy and Bruno, we discover how West Side Story placed the 1950s phenomena of racial tension and teenage gangs centre stage to create a hit that changed musical theatre forever.

Dina, an outspoken and eccentric 49-year-old in suburban Philadelphia, invites her fiancé Scott, a Walmart door greeter, to move in with her. Having grown up neurologically diverse in a world blind to the value of their experience, the two are head-over-heels for one another, but shacking up poses a new challenge. Scott freezes when it comes to physical intimacy, and Dina, a Kardashians fanatic, wants nothing more than to share with Scott all she’s learned about sensual desire from books, TV shows, and her previous marriage. Her increasingly creative forays to draw Scott close keep hitting roadblocks—exposing anxieties, insecurities, and communication snafus while they strive to reconcile their conflicting approaches to romance and intimacy.

NOTHING TO HIDE is an independent documentary dealing with surveillance and its acceptance by the general public through the “I have nothing to hide” argument. The documentary was produced and directed by a pair of Berlin-based journalists, Mihaela Gladovic and Marc Meillassoux. It was crowdfunded by over 400 backers. NOTHING TO HIDE questions the growing, puzzling and passive public acceptance of massive corporate and governmental incursions into individual and group privacy and rights. After the emotion initially triggered by the Snowden revelations, it seems that the general public has finally accepted to live in a monitored digital world.