A young executive hunts down his father’s killer. Continuing his legendary collaboration with actor Toshiro Mifune, Kurosawa combines elements of Hamlet and American film noir to chilling effect in exposing the corrupt boardrooms of postwar corporate Japan.
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Three young people in three different families and one lone bird. The young people do not know each other. Maybe passed by on the street, but more is not it. They live in different home relationships. Gabriel, a gay boy played by Anton Forsdik. His laying is not accepted in his family. He feels abandoned and alone. Johannes is an ADHD diagnosis guy claiming the doctors played by Malte Gårdinger. He also feels lonely in this unfair world. We follow these youngsters in their way through loneliness and heavy depression. Their desire to be accepted as them is to be loved by their immediate. The search for inner freedom and security leads them to different paths and places in their city. The thoughts of Gabriel fly high over the city with questions of loneliness and fate. His thoughts about fate do not only stop with humans, all living ones have their own lives.
The air is thick with tension as a military squad proceeds to the foot of a mountain base, where they’re ordered to wait for backup and hold their position. The mountain is shrouded in fog and the men are exhausted. They’ve been fighting guerrillas on enemy turf for some time, and they’re worn down by the stress and anxiety of battle. The men don’t want to wait; they want to charge up the hill, fearing that their comrades in the base have been overrun by the guerrillas. The squad’s leader tries futilely to keep his men in line while dealing with his insolent second-in-command.
Creatures, bound by the blood of the wolf, that can kill with curses and move at lightening speed, watching the night sky for the rise of the blood-red crescent moon. They are SKINWALKERS. They feed on our flesh and thirst for the taste of human blood. The red moon signals each pack, divided by principles, hell bent to survive an ancient prophecy.
When the troubled son of an NGO worker refuses to take a test and announces that he is not leaving his room, his concerned mother asks one of her clients, a Cuban exile, for help in setting the boy straight. Gonzalo has decided to drop out of school, and his mother Ana isn’t sure how to convince the boy that he’s making a crucial mistake. Ana’s client Carlos is a Cuban exile who makes his living selling cigars and artwork on the black market. When Carlos learns of Ana’s dilemma, he calls on recently released convict Mikel to teach the boy how to play chess. Perhaps is young Gonzalo can master the game, he can learn to start living again. As the lessons get underway, each of these characters learns that in order to truly move on with their lives they much first break free of the bonds that prevent them from being who they really are.
Sir William Hamilton, a widower of mature years, is British ambassador to the Court of Naples. Emma who comes for a visit with her mother wouldn’t cut the grade with London society but she gets along well with the Queen of Naples. Emma likes being Lady Hamilton and life goes smoothly until Lord Nelson pays a visit. Sir William decides at first to let his young wife have her fling and pretends not to know what is going on. But the real life lovers, whose first screen romance was in “Fire Over England” (1937) have an even more burning passion for each other in this film.
After a remote diamond mine collapses in far northern Canada, an ice road driver must lead an impossible rescue mission over a frozen ocean to save the trapped miners.
A divorced mother looks to protect her daughter after an unexpected tragedy.
Two cops are given the ‘dirty’ job of staking out the home of an escaped convict’s ex-girlfriend. Chris and the beautiful girlfriend accidentally meet and fall in love. Just as Chris’ confesses, the convict appears, but will she betray him ?
During a flight from Los Angeles to London, frequent power outages lead to passengers mysteriously disappearing one by one. With the remaining passengers lives on the line, an Air Marshal (Michael Pare) jumps into action while he tries to determine what is going on.