Featuring interviews from major cast and crew members, along with 200 fans from across the country, this documentary tells the whole story of this amazing and one of a kind tv show.
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Benson, is a Casanova who tricks women into having sex with him before leaving them. He is content with his game until he meets Jamison, a real operator who poses as an exiled prince and not only gets women to share his bed but also to give him money to help him fund his supposed counter-revolution.
‘Family Instinct’ is a film about incest – an illegal act, social taboo and a violation of religious norms. Zanda is a 28-year-old woman, worn out by hard work. Surrounded by poverty and despair, she is trying to survive with her two children in a god-forsaken Latvian village. Her hardships can be traced back to living in a relationship with her brother Valdis. When Valdis is put in jail, the local community forces her to make a difficult choice: to stay with him or with her children. Despite her ill fortune, she manages to express her love for the children, still hoping to save her family. The film offers a tragicomic but highly authentic insight into the bleak reality of Latvian countryside today.
Bouncing between Europe and the United States as often as she would between lovers, Peggy Guggenheim’s life was as swirling as the design of her uncle’s museum, and reads more like fiction than any reality imaginable. Peggy Guggenheim – Art Addict offers a rare look into Guggenheim’s world: blending the abstract, the colorful, the surreal and the salacious, to portray a life that was as complex and unpredictable as the artwork Peggy revered and the artists she pushed forward.
Two couples with the same surnames pursue in-vitro fertilization and wait for their upcoming babies.
The story of the film begins after the events of the second season, at the graduation ceremony of the third-year students. Knowing that the graduation of the third-year members means the end of μ’s, the nine girls take a walk around the school filled with memories. However, when the students attempt to leave the school gates, a single email is sent to them, and the curtain on a new story for μ’s begins.
Four ageing superhero’s in a retirement home in Ireland come together for one last hurrah.
Max is hitting puberty, and foxy Ofelia from class has touched his heart. He now plans to spend Christmas break with her or, at the very least, New Year’s Eve. Watching her little boy grow up, his mother Agnete doesn’t know what leg to stand on. Trying to give Max the best Christmas possible, she makes a mess of things, as usual. With his friends, Hassan and Ester, Max eventually tamps down the chaos and throws a super New Year’s Eve bash. Everyone is there, and Ester seizes the moment to hook up with Max ahead of Ofelia.
Sarah Huttinger’s return home with her fiance convinces her that the sedate, proper, country-club lifestyle of her family isn’t for her – and that maybe the Huttinger family isn’t even hers – as she uncovers secrets that suggest the Huttingers are neither sedate nor proper.
McLibel is a documentary film directed by Franny Armstrong for Spanner Films about the McLibel case. The film was first completed, as a 52 minute television version, in 1997, after the conclusion of the original McLibel trial. It was then re-edited to 85 minute feature length in 2005, after the McLibel defendants took their case to the European Court of Human Rights.
An American artist living a bohemian existence in Paris, Tom Warshaw (David Duchovny) is trying to make sense of his troubled adult life by reflecting upon his extraordinary childhood.
A repressed agoraphobic’s daughter meets a hardened pastor’s daughter, and while escaping their homes to attend the annual church youth group jamboree they discover their worlds aren’t what they once thought they were.
