Of ghost hunting, real estate speculators and vanity projects.

Dead bodies are piling up, and the leads the two LA homicide cops have point to Barbara, business manager for a successful architectural firm she runs with her husband Lance. The dead men were interns at the firm, and each of them was Barbara’s lover (kept in a classy flat she owns and observed via closed-circuit TV by the applauding Lance). Kyle is Barbara’s latest intern and lover, and he may be in danger. He also starts to fall in love with Barbara, and the feeling may be mutual. In the background are Erin, Lance and Barbara’s myopic administrative assistant, and Tony, Kyle’s one-time roommate who also knows Barbara. Can the cops solve this before too many more die?

The survivor of a deadly virus is given the chance to reclaim his lost life by stopping the man responsible for the disease.

“KOKO” is an extraordinary story of a young financial guru (Randy) who suffers a lifetime of heartaches only to discover that the one purest form of love was found in his only true companion – his dog (Koko). This is a remarkable love story with a triumphant and spectacularly happy ending. It’s about a young accounting executive, RANDY, who lives through hard life issues ranging from heartbreak to job loss – …Randy later adopts a dog named Koko and with the gentle companionship of his new trusted friend, finds a new lease on life and love. As he heals from all of his wounds, he finds himself immediately bonding with Koko, like all pure and natural love does. His concern and empathy blossoms and is innocent and pure in nature. There is no malice, designs on self-gain or otherwise, and his relationship with Koko is purely one of the greatest emotions – LOVE. Randy feels a connection so deep that the only way he can express his commitment to Koko is through the bonds of matrimony.

This 25th anniversary film of the legendary Oasis gig at Knebworth features a 1996 archive concert that has never ever been shown alongside rare backstage footage, with additional interviews with the band and concert organisers.

Under the pretense of having a picnic, a geologist takes his teenage daughter and 6-year-old son into the Australian outback and attempts to shoot them. When he fails, he turns the gun on himself, and the two city-bred children must contend with harsh wilderness alone. They are saved by a chance encounter with an Aborigine boy who shows them how to survive, and in the process underscores the disharmony between nature and modern life.

It’s the last Friday before Christmas in New York City and a massive storm is brewing. Small-town business woman Cara Hill is meeting with her banker while country music star Heath Sawyer is playing Madison Square Garden. When the flight to Tulsa they’re both booked on is canceled, this unlikely pair of strangers winds up traveling together.

Examine the iconic careers and winning ways of Martina Navratilova, Jack Nicklaus, Nadia Comaneci, Edwin Moses and Esther Vergeer.

Jeff, a young delinquent, is enrolled by his father in a kenpo school, in the hopes of teaching the boy some self-discipline. Years later, Jeff’s mentor, Kim, is being threatened by one of the Korean mafia families. Jeff tries to help his old friend, but is too late to prevent Kim’s death at the hands of an unknown hitman. Vowing revenge, Jeff takes on all of the families, using his martial arts skills to find the man who killed his friend.

The great actress and Ozu regular Setsuko Hara plays a mother gently trying to persuade her daughter to marry in this glowing portrait of family love and conflict—a reworking of Ozu’s 1949 masterpiece Late Spring.

Filmmaker Kevin Rafferty takes viewers to 1968 to witness a legendary college football game and meet the people involved, interweaving actual gridiron footage with the players’ own reflections. The names may be familiar (Tommy Lee Jones and friends of Al Gore and George W. Bush are among the interviewees), but their views on the game’s place in the turbulent history of the 1960s college scene add an unexpected dimension.

Marian, a middle aged nurse, devotes herself to her patients like a saint. Sometimes she even takes on the role of a redeemer, by helping the gravely ill to the soothing order of ultimate silence. When she gets linked to a neighbor in an act of common voyeurism, she becomes fascinated by him. Faced with the fragility of these newfound emotions, Marian surrenders to her human needs