Taxi dancer Charity continues to have Faith in the human race despite apparently endless disappointments at its hands, and Hope that she will finally meet the nice young man to romance her away from her sleazy life. Maybe, just maybe, handsome Oscar will be the one to do it.
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Martin, a mercenary, is sent from Europe by an anonymous biotech company to the Tasmanian wilderness on a hunt for the last Tasmanian tiger.
Lora Meredith, a white single mother who dreams of being on Broadway, has a chance encounter with Annie Johnson, a black widow. Annie becomes the caretaker of Lora’s daughter, Suzie, while Lora pursues her stage career. Both women deal with the difficulties of motherhood: Lora’s thirst for fame threatens her relationship with Suzie, while Annie’s light-skinned daughter, Sarah Jane, struggles with her African-American identity.
After his father’s untimely suicide, Cufe leaves his home in a Native American reservation in search of a more fulfilling life.
Erwan, a strapping Breton who clears mines for a living, is shaken when he discovers that his father is not his father. Despite his affection for the man who raised him, he quietly sets out to find his biological father, and succeeds in locating Joseph, an endearing old codger he takes a liking to. Just when things look settled, another unexpected “bomb” hits Erwan in the form of Anna, an elusive nymph.
Anabel Bolio is a beautiful and young workingwoman; Oskar Pratz is a brilliant and handsome entrepreneur. A spark of mutual attraction is inevitable and a torrid romance ensues. But what seams to be the prefect love story quickly decay and spiral downward into dangerous sexual games that lead to tragedy.
In 2001, Lenny Cooke was the most hyped high school basketball player in the country, ranked above future greats LeBron James, Amar’e Stoudemire and Carmelo Anthony. A decade later, Lenny has never played a minute in the NBA. In this quintessentially American documentary, filmmaking brothers Joshua and Benny Safdie track the unfulfilled destiny of a man for whom superstardom was only just out of reach.
Aibileen Clark is a middle-aged African-American maid who has spent her life raising white children and has recently lost her only son; Minny Jackson is an African-American maid who has often offended her employers despite her family’s struggles with money and her desperate need for jobs; and Eugenia “Skeeter” Phelan is a young white woman who has recently moved back home after graduating college to find out her childhood maid has mysteriously disappeared. These three stories intertwine to explain how life in Jackson, Mississippi revolves around “the help”; yet they are always kept at a certain distance because of racial lines.