The Somerset Levels are one of the most beautiful parts of Britain, but in the winter of 2013 they faced a natural disaster. One village, Moorland, was entirely engulfed by the floods. Deluged by water, the villagers watched helplessly as their lives and homes were washed away. This programme follows their year-long struggle to get home again after the water drained and media attention shifted away. Although the residents put on a brave face, the realities of their fate pile up – the refusal of insurance companies to pay up, and the months of delay with the builders. All this adds fuel to a heartfelt frustration that the floods were man-made and the nagging fear of what would happen to them if and when the waters return.
You May Also Like
When filmmaker Peter Mortimer encounters an elusive young climber named Marc-André Leclerc, an evolution in free solo mountaineering unfolds. Along the two-year journey up high alpine peaks and steep frozen waterfalls, Peter explores Marc’s connection to nature, his uncompromising quest for adventure, and the risks he takes to pursue his passion.
A searing portrait of four prisoners trying to escape the devastation of their past.
I Believe I Can Fly (Flight of the Frenchies) is an amazing journey into the unknown. Two friends test the boundaries of free flight and friendship as they take their passion in a totally new direction. Join Tancrède and Julien on an incredible exploration into the world of free flight. The two friends are pioneers in ‘highlining’ – a vertiginous combination of climbing, slackline and tightrope walking. Using their skills and experience as climbers, the pair push their boundaries beyond the realms of possibility as they embark on a new evolution of their sport.
True story based on Jodi Arias, a seductive 28-year-old aspiring photographer found guilty of killing her former lover, Travis Alexander, who was found nude in his home shower with a slit throat, 27 additional stab wounds and a bullet to the head. While investigating the violent killing, Mesa, Arizona police retrieved a digital camera from Alexander’s washing machine, revealing shocking images authorities claim Arias took during their sexual escapades, as well as during and after his murder. While Jodi pled not guilty and contends she killed Alexander in self-defense, police concluded that when he broke off their relationship, she stalked her ex-boyfriend and seduced him one final time before murdering him in cold blood. Her subsequent trial has been grand theater, dominating the cable news networks as she testified in her own defense and offered explicit insight into the sex, lies and obsession that led up to Alexander’s murder.
The Chandlers pack up and head to a cabin for maximum holiday fun. With old feuds, new feuds, and a heap of holiday stress, the Chandler family must pull together to make this the best Christmas ever.
When chef Hank makes a deal with frozen food executive Maggie to save his restaurant, their unexpected attraction complicates matters, leaving Maggie conflicted: Does she choose her allegiance to her cut-throat boss or does she partner – both in work and in love – with Hank?
Adrenaline Rush: the Science of Risk takes audiences on a breathtaking journey from extraordinary heights, featuring spectacular footage of extreme skydiving while delving into both the biology of risk-taking and the physics that make human flight possible
Documentary about space colonization: a voyage across our planet, into the stars and beyond.
A group of filmmakers from the USA, UK, Russia and Europe came together in Latvia, aiming to do what every major studio in the world in every country was not able to do – complete the shooting of a film under Covid-19 conditions.
Melissa Lucio was the first Hispanic woman sentenced to death in Texas. For ten years she has been awaiting her fate, and now faces her last appeal.
An in-depth look at the life of boxer, Muhammad Ali, including his years as an activist and philanthropist.
This portrayal of the rhythm of life and work in a gigantic textile factory in Gujarat, India, moves through the corridors and bowels of the enormously disorienting structure—taking the viewer on a journey of dehumanizing physical labor and intense hardship.