Multi-storied, fish-eyed look at American culture with some 22 characters intersecting–profoundly or fleetingly–through each other’s lives. Running the emotional gamut from disturbing to humorous, Altman’s portrait of the contemporary human condition is nevertheless fascinating. Based on nine stories and a prose poem by Raymond Carver.
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A chance meeting between two strangers who share a disdain for Christmas results in The Mistletoe Promise, a pact to help them navigate their holiday complications – together. But as they spend more time with each other and experience the magic of Christmas the phony couple discovers there may be more to their contract than business.
Set in Kansas City in 1933, Eastwood plays a police lieutenant known simply by his last name, Speer. Reynolds plays a former cop turned private eye named Mike Murphy. Both Speer and Murphy served on the force together and were once good friends, but are now bitter enemies. When Murphy’s partner is slain they team up again to fight the mob.
Molly, a paranormal con artist who cleans people of their valuables instead of their demons, accidentally rips off a Drug Kinpin. She now has to save her kidnapped partner and herself while battling through the under belly of Los Angeles.
Dorottya is a young Hungarian actress with a burning desire: to make it on the English stage. Legendary actor Sir Michael Gifford suffers from an incurable disease, and has one desire: be left alone. When Dorottya becomes his carer they both hope their wish will be fulfilled.
Don Knotts and Tim Conway star in The Private Eyes, a 1980 comedy about two bumbling detectives solving a murder. It’s an impressively incompetent affair. Every ancient joke falls with a muffled thud as Knotts and Conway ham their way through the pointless story: The lord and lady of a capacious manor are killed, and the lord’s ghost seems to have returned to knock off the staff one by one. There’
A young woman from a small town accuses the college heartthrob of sexual assault.
Jim, a white straightedge punk with a violent past, and Fred, a young black hip-hop revolutionary struggling to raise a son, spend their lunch breaks at St. Mark’s Comix together. Overwhelmed by the violence that surrounds them, the two form a friendship despite the fact that they come from different worlds. Jim’s friends, a crew of noble but misguided kids, learn that a friend was killed by a drunk driver. In their rage and frustration, they form a gang called One Less Drunk, intent on stopping drunk drivers before they get to their cars.
Sophie, a quiet and shy maid working for the upper-class family Lelievre, hides her illiteracy under the cloak of a perfect household and obedience. She finds a friend in the energetic and uncompromising postmaster Jeanne, who encourages her to stand up against her bourgeois employers. Things start to escalate as the Lelievres find out that Sophie can’t read and has brought Jeanne into their house against their wish.
Three stories about the world of opioids collide: a drug trafficker arranges a multi-cartel Fentanyl smuggling operation between Canada and the U.S., an architect recovering from an OxyContin addiction tracks down the truth behind her son’s involvement with narcotics, and a university professor battles unexpected revelations about his research employer, a drug company with deep government influence bringing a new “non-addictive” painkiller to market.