A virtually plotless, gaudy, impressionistic portrait of Rome through the eyes of one of its most famous citizens.
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A military expedition in Siberia gone wrong. The existence of humanity is in peril as Inanna, Sumerian goddess of lust and war has summoned a giant meteor to destroy the planet, after being accidentally set free from her ancient prison. The government has been overturned in a Communist take-over and the citizens of the world; brainwashed. In humanity’s darkest hour, the ancient entity of Gilgamesh, older than the cosmos themselves, must decide whether or not to serve of mankind’s final hope. Meanwhile, Inanna has hand selected the one man; married man and archaeologist, David Murphy, to live out the rest of eternity with her. Gilgamesh and Inanna are quickly targeted by the new government as potential weapons of mass destruction, and soon the apocalypse has begun.
Called to Rome to stop an imminent terrorist bombing, a soldier desperately seeks news of his imprisoned brother — a rebel with knowledge that could thwart the attack. Navigating the capital’s darkened streets, he races to a series of ominous encounters to keep the Vatican from being blown to bits.
Primo & Secondo, two immigrant brothers, pin their hopes on a banquet honoring Louis Prima to save their struggling restaurant.
How much space does Zeynep take up in this vast universe? This is a city brimming with the struggling and the unemployed; aren’t their lives a bit like the infinite, tiny particles flying through the air? Zeynep is already trying hard to make ends meet when she gets fired from her job at a textile mill. The Particle follows her as she searches for a job. We follow her in and out of workspaces. Zeynep’s world – the streets and homes in Tarlabaşı – are dark and suffocating.
A fun roller coaster ride about three young people, Aju, Divya and Kuttan who are cousins, reach Bangalore to dream, discover & explore!
J.J. is a rookie in the Sheriff’s Department and the first black officer at that station. Racial tensions run high in the department as some of J.J.’s fellow officers resent his presence. His only real friend is the other new trooper, the first female officer to work there, who also suffers similar discrimination in the otherwise all-white-male work environment. When J.J. becomes increasingly aware of police corruption during the murder trial of Teddy Woods, whom he helped to arrest, he faces difficult decisions and puts himself into grave personal danger in the service of justice.
The film is about a high school tech whiz (Laura Marano), who is determined to become prom queen. But on the big day, she suddenly wakes up having a bad hair day, and her destroyed prom dress, and everything that can go wrong, does go badly wrong. A police officer (Leigh-Allyn Baker) seeks the necklace that the teen somehow ends up possessing. Prom day goes really bad as the pair is pursued by a dogged jewel thief (Christian Campbell) on a wild ride cross around the city.
A successful architect, Sakti (Tora Sudiro), is uncertain about his sexuality, but when he meets magnetic and gay Nino (Surya Saputra), he realizes he prefers men. When Meimei (Cut Mini Theo), one of Sakti’s closest female friends, reveals she’s attracted to Nino, it causes complications in their social circle. Weighing whether or not to come out of the closet, Nino is mindful of fragile Meimei, who’s dealing with the breakup of her marriage.
Following the death of their friend, two girls in their late twenties embark on a road trip to spread his ashes. Seph and Alex take turns driving. Dan is in the glove compartment, in tupperware, decreasing in volume as the trip progresses.
Jacques Tati’s gloriously choreographed, nearly wordless comedies about confusion in the age of technology reached their creative apex with Playtime, a lasting testament to a modern age tiptoeing on the edge of oblivion.
A man and woman meet by chance at a romantic inn over dinner. Although both are married to others, they find themselves in the same bed the next morning questioning how this could have happened. They agree to meet on the same weekend each year. Originally a stage play, the two are seen changing, years apart, always in the same room in different scenes. Each of them always appears on schedule, but as time goes on each has some personal crisis that the other helps them through, often without both of them understanding what is going on.
