A chronicle of Gertrude Bell’s life, a traveler, writer, archaeologist, explorer, cartographer, and political attaché for the British Empire at the dawn of the twentieth century.
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Lucy Chadman (Shelley Long) chokes to death and is resurrected by her loopy sister Zelda (Judith Ivey) on the one year anniversary of her death. Lucy, of course, does not believe she has actually been dead and thinks it is an elaborate hoax until she goes to her apartment and discovers her husband (Corbin Bernsen) married to her gold digging best friend, Kim (Sela Ward).
When 9 first comes to life, he finds himself in a post-apocalyptic world. All humans are gone, and it is only by chance that he discovers a small community of others like him taking refuge from fearsome machines that roam the earth intent on their extinction. Despite being the neophyte of the group, 9 convinces the others that hiding will do them no good.
When a man’s only son goes missing, he travels to the town where his ex-wife lives in search of answers. To play a man whose life is clouded by mystery, McAvoy will not be given a script of dialogue.
Future “first couple” Ronald Reagan and Nancy Davis made their only joint film appearance in Hellcats of the Navy. Ronnie plays Casey Abbott, commander of a WW2 submarine, while Nancy portrays navy nurse Helen Blair, Abbott’s off-and-on girlfriend. During a delicate mission in which his sub is ordered to retrieve a revolutionary new Japanese mine, Abbott is forced to leave frogman Wes Barton (Harry Lauter) behind to save the rest of his crew. But Abbott’s second-in-command Don Landon (Eduard Franz) is convincing that Abbott’s sacrifice of Barton was due to the fact that the dead man had been amorously pursuing Helen.
A librarian with a sharp mind for murder, Aurora Teagarden is known around her small town as a master sleuth. When her friend Jane unexpectedly dies and leaves Aurora everything in her will, she also leaves a troubling murder mystery haunting her neighborhood. It is up to Aurora to piece together the clues—including a skull, its missing skeleton and a suspicious group of neighbors—and solve the murder before she becomes the unlikely killer’s next victim.
With his carefree lifestyle on the line, a wealthy charmer poses as a ranch hand to get a hardworking farmer to sell her family’s land before Christmas.
In 1975, Ryszard Kapuściński, a veteran Polish journalist, embarked on a seemingly suicidal road trip into the heart of the Angola’s civil war. There, he witnessed once again the dirty reality of war and discovered a sense of helplessness previously unknown to him. Angola changed him forever: it was a reporter who left Poland, but it was a writer who returned.
In the Pacific Northwest during the 1950s, two young sisters whose mother has abandoned them wind up living with their Aunt Sylvie, whose views of the world and its conventions don’t quite live up to most people’s expectations.
A big new home, a lovely wife and a new job seem to steer Henrik firmly towards the middle age and a bourgeois lifestyle. There is, however, a substantial amount of boyish prankster still in him – sometimes a little bit too much. Director Martin Lund’s understated, offbeat humour often evokes Bent Hamer’s delightful studies of lone males (O’Horten, Kitchen Stories)
After leaving his wife and his job to find happiness, Anders begins a clumsy, heartbreaking quest to reassemble the pieces of his fractured life.
Young Sydney stockbroker, Will, makes a bet with his rich mate Angus – who can make the most money in three months with $50,000? Obsessed with winning, Will finds himself engaged in high stakes games and deception, bending all the rules, until he discovers that winning at all costs could mean losing more than he could ever imagine.
