As a Sikh man with a full beard and turban, AMRIT SINGH is often the target of racial profiling. But when he sees his dreams of becoming Chief of Surgery at a state-of-the-art transplant center dwindle because of his appearance, Amrit goes against a tradition he’s maintained his whole life and cuts his hair. Hiding this decision from his girlfriend and family in Toronto is only the start of a series of compromises Amrit finds himself making as he deals with hospital politics and health care injustices. When his compromises result in the death of a patient, Amrit begins to reexamine the value of the religious traditions he’d turned his back on.
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When his best friend and podcast co-host goes missing in the backwoods of Canada, a young guy joins forces with his friend’s girlfriend to search for him.
Director Tominaga Masanori (Pandora’s Box) brings Motoya Yukiko’s offbeat play Ranbo to Taiki to the big screen in a juicy, neurotic tangle of love, hate and voyeurism. Hidenori (Asano Tadanobu) and Nanase (Minami) have lived together for ten years in a tense, platonic relationship. The wheels of change are set in motion when married couple Takao (Yamada Takayuki) and Azusa (Koike Eiko) move in next door. After Hidenori catches Nanase and Takao having an affair, he becomes obsessed with watching Nanase through a peephole, and planning his cruel revenge.
Soo-hyun comes across magical pills that allow him to go back and forth in time. 30 years to the past, young Soo-hyun meets future Soo-hyun and learns that his girlfriend will soon die because of him. In order to save her, the two Soo-hyuns try to change the past together, but a completely new and unexpected past is formed that leads to a new future.
After their parents divorce, one daughter lives with her mother in England while the other lives with her father in Portugal. After the untimely death of her mother, the one daughter stands to inherit a large sum of money and also a number of documents containing information that will incriminate her father, who was a crooked judge. While her father wants the documents, her sister wants the money and they will each stop at nothing, even murder, to get what they want.
SHOOTING FOR SOCRATES is a David Vs. Goliath set in Belfast against the backdrop of the 1986 World Cup. It tells the story of a momentous time in Northern Ireland’s football history through the eyes of players, fans and the media. The film also follows the lives of passionate football supporter Arthur and his son Tommy from East Belfast. The lead up to a momentous day in the life of a young boy (his 10th birthday) mirrors the build up to the big day for the Northern Ireland football team as they play the greatest match of their lives.
A wealthy New York investment banking executive hides his alternate psychopathic ego from his co-workers and friends as he escalates deeper into his illogical, gratuitous fantasies.
Russian exiles in Paris plot to collect ten million pounds from the Bank of England by grooming a destitute, suicidal girl to pose as heir to the Russian throne. While Bounin is coaching her he comes to believe she is really Anastasia. In the end the Empress must decide her claim.
Birch, a young man living in the Catskill Mountains, reunites with his childhood friend from the city, Andrew.
In Empress Wu’s reign, there are several bizarre deaths in the capital city of Chang’an. The rumors of the Martyrs Shrine’s “Flying Goddess Mural” murder case are getting worse. Di Renjie is ordered to investigate the case. He cracks the mystery of the mural based on the characteristics of the Flower Sermon, which leads to the murderer, Li Luoyu. Soon after, Li Luoyu commits suicide. After multiple investigations, Di finally finds out the true murderer.
