James Stewart plays aeronautical engineer Theodore Honey, the quintessential absent-minded professor: eccentric, forgetful, but brilliant. His studies show that the aircraft being manufactured by his employer has a subtle but deadly design flaw that manifests itself only after the aircraft has flown a certain number of hours. En route to a crash site to prove his theory, Honey discovers that he is aboard a plane rapidly approaching his predicted deadline.
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While grieving for the loss of their mother, the Connolly sisters suddenly find they have a crime to cover up, leading them deep into the underbelly of their salty Maine fishing village.
A young woman (Bonnie Dennison) falls for a mysterious man (Michael Welch) who reveals his dark side.
Lora Meredith, a white single mother who dreams of being on Broadway, has a chance encounter with Annie Johnson, a black widow. Annie becomes the caretaker of Lora’s daughter, Suzie, while Lora pursues her stage career. Both women deal with the difficulties of motherhood: Lora’s thirst for fame threatens her relationship with Suzie, while Annie’s light-skinned daughter, Sarah Jane, struggles with her African-American identity.
Him and her. A husband and a wife staying in a cozy hotel where you can come for just a couple of days with a risk to get stuck forever. It is so easy to get trapped in the daily routine. Indeed, nothing is more permanent than the temporary. Their time is like a flat circle. He has his phone calls and business meetings. She is wrapped in her dreams and doubts. All reactions are predictable, all conversations are learnt by heart. An endless LP record of life keeps playing again and again repeating itself. But a few things can break this tune, like a scratch on the record, a crack on a wine glass, a sudden glance or a meeting with a stranger. And then you know: tomorrow will come soon. Any moment something can go wrong, throw you off course, and force you to make a choice.
When the mummified remains of an evil Egyptian queen are brought back to life, she resurrects an army of living dead to help fulfill the prophecy that promises her all the powers of the Underworld.
Man’s landing on the moon was our greatest technological achievement. The Apollo 11 mission was truly the stuff of dreams. For the first time, our species walked on another celestial body. Even more remarkable was their ability to make it back. This is the story of the July 20, 1969, Apollo 11 moon landing. Drama with digitally remastered original footage.
A group of friends think they found the perfect easy score – an empty house with a safe full of cash. But when the elderly couple that lives there comes home early, the tables are suddenly turned. As a deadly game of cat and mouse ensues, the would-be thieves must fight to save themselves from a nightmare they could never have imagined.
From acclaimed graphic novelist Dash Shaw (New School) comes an audacious debut that is equal parts disaster cinema, high school comedy and blockbuster satire, told through a dream-like mixed media animation style that incorporates drawings, paintings and collage. Dash (Jason Schwartzman) and his best friend Assaf (Reggie Watts) are preparing for another year at Tides High School muckraking on behalf of their widely-distributed but little-read school newspaper, edited by their friend Verti (Maya Rudolph). But just when a blossoming relationship between Assaf and Verti threatens to destroy the boys’ friendship, Dash learns of the administration’s cover-up that puts all the students in danger. Hailed as “the most original animated film of the year” and “John Hughes for the Adult Swim generation”, the film’s everyday concerns of friendships, cliques and young love remind us how the high school experience continues to shape who we become, even in the most unusual of circumstances.
Two best friends, So-yool and Yeon-hee, dream of becoming the top artists in Seoul together. But their friendship doesn’t last long as Yoon-woo, So-yool’s first love and songwriter, falls in love with Yeon-hee and her voice. So-yool’s feeling of jealousy and inferiority towards Yeon-hee grows by the day, and she eventually makes a drastic decision to bring the two lovers down.
