Journey to the edge of Brooklyn and of street performance itself in this sparkling portrait of the freeing power of art. Reem is the savvy promoter, Flizzo the undefeated local legend, Jay Donn the innovator with the talent to carry him far away from home. Uniting them is a competitive dance form of dramatic contortions, simulated violence, flowing footsteps and the occasional humorous touch. Welcome to the world of Flex.

Five broken cameras – and each one has a powerful tale to tell. Embedded in the bullet-ridden remains of digital technology is the story of Emad Burnat, a farmer from the Palestinian village of Bil’in, which famously chose nonviolent resistance when the Israeli army encroached upon its land to make room for Jewish colonists. Emad buys his first camera in 2005 to document the birth of his fourth son, Gibreel. Over the course of the film, he becomes the peaceful archivist of an escalating struggle as olive trees are bulldozed, lives are lost, and a wall is built to segregate burgeoning Israeli settlements.

Two filmmakers infiltrate an underground bicycle club.

Their loved ones were murdered on 9/11. Twenty years later, they are still fighting for the truth.

The aim: to select the ideal mode of transport for each leg of a pilgrimage from Venice, Italy to Pau in France – home to a legendary street circuit and the origins of Grand Prix racing. On the way we prepare by taking to the track at Monza – the home of Italian Formula One. We try to get noticed on the road course in Monaco in a Bugatti, a Lamborghini and a Model T Ford. After cruising the canals in Venice we take to the tarmac and things look good – thanks to the Ferrari F12 Berlinetta and Mercedes SLS Black. Throw in a Pagani Huayra, Porsche Cayman S and a GT3 as well as the Aston Martin Vanquish centenary edition, Bentley V8 convertible, Rolls Royce Phantom coupe and the face-bending BAC Mono all seems pretty perfect to us.

Through a series of interviews, ‘So Which Band Is Your Boyfriend In’ takes a look at gender in the UK’s DIY and underground music scenes.

Louis Theroux travels to California to meet the man dubbed “the most dangerous racist in America”; Tom Metzger. Louis meets him, his family and his publicity manager as well as following him to skinhead rallies and on a visit to Mexico.

Seasons is a 2015 French-German nature documentary film directed, produced, co-written, and narrated by Jacques Perrin, with Jacques Cluzaud as co-director.

“ADDICTED TO SEXTING”, a compelling (and sometimes humorous) look at the rise and proliferation of this social phenomenon from several varying perspectives and how the lives of those engaged in it are affected. Throughout the course of the film, we examine nearly every aspect of what has become a national and international pastime. A vast range of opinions give their input about this delicate subject and, as such, discussions with notable figures in the entertainment, political and medical fields (among others) are included. The film touches on the many high profile scandals surrounding public officials and the resulting consequences of their actions. In stark contrast, an honest look at the possibility of sexting as a positive development within the framework of healthy relationships is also presented. Sexting exists and is not likely to disappear anytime soon. “ADDICTED TO SEXTING” shows the why, how and what possible purpose it serves.

Pauly Shore Stands Alone is a true-life road documentary. The camera follows Pauly on a snowy mid-western comedy club tour, while Pauly deals with moving his ailing mother, Mitzi Shore, out of her West Hollywood mansion of 40 years.

Tina Turner overcame impossible odds to become one of the first female African American artists to reach a mainstream international audience. Her road to superstardom is an undeniable story of triumph over adversity. It’s the ultimate story of survival – and an inspirational story of our times.

A documentary detailing the effort dedicated filmmakers went through to bring Orson Welles final feature film, The Other Side of the Wind into the public conscience