Angel LaMere is released from juvenile detention on the eve of her 18th birthday. Haunted by her past, she embarks on a journey with her 10 year-old sister that could destroy their future.
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Floating is the story of a young man’s struggle to come of age during a violent period of emotional and financial bankruptcy. The film stars Norman Reedus as Van, a son shouldering the responsibility of his embittered father, with no one to nurture him through his own pain. Van’s father is so engrossed in his own troubles that he fails to emotionally support his son. As Doug, Chad Lowe provides Van with friendship, but more importantly, with the knowledge that a “perfect life” isn’t always what it seems. After Van and Doug engage in a crime spree that ends in tragedy, father and son finally come together for the first time to transcend mourning.
Ray Eddy, an upstate New York trailer mom, is lured into the world of illegal immigrant smuggling. Broke after her husband takes off with the down payment for their new doublewide, Ray reluctantly teams up with Lila, a smuggler, and the two begin making runs across the frozen St. Lawrence River carrying illegal Chinese and Pakistani immigrants in the trunk of Ray’s Dodge Spirit.
Due to financial needs, undergraduate Tiffany took up compensated dating, regarding it as a personal choice that has nothing to do with ethics. Though at first, she’s feeling a bit uneasy, but soon she became indifferent. After one unpleasant experience serving a group of Japanese clients, she wanted to quit. But her agent Hazelnut convinced her to take up a long term sponsor Cheung. In the course of serving Cheung, a subtle feeling nourished between the two. On the other hand, she came across Rex, a young guy of integrity and passion. After one incident, she decided to quit Cheung and took up a new life with Rex. But just when she thought she could start over anew, something unexpected turned up making her realized that she had to pay for what she had chosen before…
In a remote village in South India, three generations of sons react to the death of Century Gowda, their grandfather, a 101-year-old man. The three story lines intertwine before converging at Century Gowda’s “Thithi”, the final funeral celebration eleven days after a death.
Shirley has important news for her family, but she has five grown children with different lifestyles and finds it difficult to get them and the kids all together. So in steps Madea, the Matriarch General, to put the family’s life in perspective with a hilarious twist on financial difficulties, drugs and, most important, family secrets. The next generation has a lot to learn. In her own way, Madea expresses how deliverance won’t change you to be someone else, but will allow you to be who you really are.