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Shire is the subject of a perverse obsession by a Lesbian neighbor, Andrea, who not only is in lust with her but hires a rapist in order to get audio tapes of her moaning. Ashley turns pepping tom and watches Shire with a telescope as she begins an affair with Det. Cortese.
England is torn in civil strife as the Royalists battle the Parliamentary Party for control. This conflict distracts people from rational thought and allows unscrupulous men to gain local power by exploiting village superstitions. One of these men is Matthew Hopkins, who tours the land offering his services as a persecutor of witches.
Johan has been locked up – wrongly in his opinion – for the murder of his father and little sister. His mother is the only one who can prove his innocence, but he hasn’t been able to contact her for years. When he is transferred within the psychiatric prison to the long-stay department, it’s the last straw. He decides to escape and to go looking for his mother.
Sequel to Dracula 2000. Father Uffizi [Jason Scott Lee] hunts vampires. He travels the world to behead them with his bullwhip, but his ultimate goal is to find the first vampire, Dracula (revealed as Judas Iscariot in Dracula 2000), absolve Dracula’s sins against Jesus, set his soul free, and end his unholy existence. So, when Dracula’s charred body turns up in the New Orleans morgue, Uffizi heads there. Medical students, Liz Blaine [Diane Neal] and Luke [Jason London] are charged with autopsying the body. When they open the abdominal cavity, they find that the liver and other organs are white, suggesting to Luke that the person did not produce his own blood but got it elsewhere, i.e., a vampire.
A drifter passing through a small town is drugged by three masked psychopaths and forced into a bizarre game of cat and mouse. He is chased through a series of more and more bizarre events until, in the end, he finds that this evening of terror has lasting consequences. It’s a feel bad film, nasty and brutish, red in tooth and claw.
When the Campbell family moves to upstate Connecticut, they soon learn that their charming Victorian home has a disturbing history: not only was the house a transformed funeral parlor where inconceivable acts occurred, but the owner’s clairvoyant son Jonah served as a demonic messenger, providing a gateway for spiritual entities to crossover.
Alma and Jan are having an affair and yet Jan does not want to admit it. In order to force him to recognize their relationship, Alma secretly takes Jan’s small son, Juri on a trip. Accompanied by the delivery man Bruno, the two drive in the direction of Berlin. At a rest stop, he tries clumsily to get closer to Alma but she rebuffs him. In doing so, Alma unwittingly injures him in such a way that he drops all his inhibitions. Whereas Bruno until now was acting covertly in the hope of establishing contact, he now wants to take for himself what has been denied him.
A multi-layered series that looks back to the formative years of Ryu and Ken as they live a traditional warrior’s life in secluded Japan. The boys are, unknowingly, the last practitioners of the ancient fighting style known as “Ansatsuken” (Assassin’s Fist). The series follows them as they learn about the mysterious past of their master, Goken, and the tragic, dark legacy of the Ansatsuken style. Can their destiny be changed, or will history repeat itself?
Years after the Racoon City catastrophe, survivors travel across the Nevada desert, hoping to make it to Alaska. Alice joins the caravan and their fight against hordes of zombies and the evil Umbrella Corp.