With many idea rich comic situations French director Jacques Tati uses his poetic ways and knowledge of the discrepancy between heart and technique to tell a gentle business satiric tale that won him the Oscar for best foreign film in 1959.
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A man (Lukas Haas) encounters a childhood friend (Adam Scott) who had an affair with his wife (Molly Parker) five years earlier.
Performing in the round and engaging audience members during his act, Carmichael addresses a wide range of subjects, including Trump’s victory, climate change, supporting the troops, animal rights, being a good boyfriend and his top four fears, as well as exploring larger themes like race, politics, love and family.
An aspiring artist struggles to find his voice, his sexual identity, and the meaning of creativity.
Marital fidelity can wear you down, and Ondra and Vitek are certainly suffering from a case of serious fatigue. Working side by side and living next door to each other, it doesn’t take long before these two long-married middle-aged pals start comparing sex notes, and it’s plain to see their latest scores have fallen far below what they would have hoped. Luckily, a surprise holiday on a tropical island rekindles their interest in their wives – only they don’t exacly lust after their designated partners. With no one to divert their attention, their roaming eyes inevitably settle on the wrong spouse, and pretty soon they’ve established their own little Holy Quaternity.
Amy is ravaged by the notion that she is going to die tomorrow, which sends her down a dizzying emotional spiral. When her sceptical friend Jane discovers Amy’s feeling of imminent death to be contagious, they both begin bizarre journeys through what might be the last day of their lives.
Following the death of his wife, a broken man spirals into an abyss of night tremors and depression and finds himself in the home of a deranged cannibal who convinces him to take his own life in the most horrific way imaginable.
The writer Sofie lives with her daughter, her son and her motherly friend Rosa in a pretty Leipzig city villa. Her life seems to have a firm grip on the single mother – if it were not for this writer’s block that prevents her from completing her new romance novel. To make matters worse, her childhood sweetheart Vincent emerges completely unexpectedly. Vincent, Rosa’s son, left her 15 years ago overnight. She has never heard from him since. Therefore, she tries to keep secret from him that she connects far more than a broken love …
Stephen Chow plays a selfish yet in some places kind hearted barrister who tricks his servant in doing things for his own benefit. Eric Kot playing the servant is misguided by what he thinks is love and leaves Chow vowing that he will never need Chow’s help again in life. Shortly afterwards Kot gets into some big trouble (due to be executed) with the British and calls on Chow for help. Chow tries to help his client, but is fish out of water when he has to fight this court room case according to western rules.
A woman with no name teams up with a resourceful militiaman and a video-store clerk turned wandering gunslinger to rescue a scientist who may hold the key to ridding the world of the undead.