Fledgling screenwriters retreat to a quiet country manor to work on their script, but a constellation of needy characters produces constant interruptions.
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12-year-old Seon-yoo and her mother struggle for a new start after her father killed himself with huge debt behind.
After the tragic death of her husband, a soldier posted to Afghanistan, Bryony tries to build a new life for herself and her young son, James. Struggling with her own grief she fails to notice that James has become secretive and withdrawn, spending hours alone playing out death scenes with his toys. When things start to go missing and furniture is smashed Bryony blames James but when she confronts him she finds herself facing a reality more terrifying than any nightmare. As her world crashes around her Bryony realises that unless she can find a way to reconnect with her son she and James will be separated for ever.
Beatriz married Henrique on the day of her 21st birthday. Henrique, a naval officer, would spend long periods at sea. Ashore, Beatriz, who learned everything from the verticality of plants, took great care of the roots of their six children. The oldest son, Jacinto (Hyacinth), my father, dreamed he could be a bird. One day, suddenly, Beatriz died. My mom didn’t die suddenly, but she too died when I was 17 years-old. On that day, me and my father met in the loss of our mothers and our relationship was no longer just that of father and daughter.
A two-bit promoter tries to take a women’s wrestling team to the top.
Stephen Chow plays a selfish yet in some places kind hearted barrister who tricks his servant in doing things for his own benefit. Eric Kot playing the servant is misguided by what he thinks is love and leaves Chow vowing that he will never need Chow’s help again in life. Shortly afterwards Kot gets into some big trouble (due to be executed) with the British and calls on Chow for help. Chow tries to help his client, but is fish out of water when he has to fight this court room case according to western rules.
Written by Pulitzer Prize-winner Paula Vogel, created by Ms. Vogel and Rebecca Taichman, and directed by Ms. Taichman, Indecent is about the love and passion to create theatre, even in the most difficult of circumstances. The play follows a troupe of actors, the cast of Sholem Asch’s God of Vengeance, who risked their lives and careers against enormous challenges to perform a work in which they deeply believed, at a time when art, freedom and truth were on trial. It is a story told with compassion and honesty, but also with great theatricality, and joyous songs and dances. The capture of Indecent was completed just prior to its final Broadway performance in August. Eight high-definition cameras captured every heartbreaking moment of this production at Broadway’s Cort Theatre.
Oakland-bred comic and best-selling author Moshe Kasher comes back to the Bay Area in this standup special. Back on his home turf, Kasher finds comedy in these uproarious stories about the people he’s met — and how they see him. Recorded live at the New Parish nightclub in January 2012.
The Winter Feast is Po’s favorite holiday. Every year he and his father hang decorations, cook together, and serve noodle soup to the villagers. But this year Shifu informs Po that as Dragon Warrior, it is his duty to host the formal Winter Feast at the Jade Palace. Po is caught between his obligations as the Dragon Warrior and his family traditions: between Shifu and Mr. Ping.
This is the hard and shocking story of life in a British Borstal for young offenders. The brutal regime made no attempt to reform or improve the inmates and actively encouraged a power struggle between the ‘tough’ new inmate and the ‘old hands’. The film was originally made as a BBC play but it was banned before ever being shown.
