This deceptively simple tale of a bored English couple (George Sanders and Ingrid Bergman) travelling to Italy to find a buyer for a house inherited from an uncle is transformed by Roberto Rossellini into a passionate story of cruelty and cynicism as their marriage disintegrates around them.
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Eva Dandridge is a very uptight young woman who constantly meddles in the affairs of her sisters and their husbands. Her in-laws, who are tired of Eva interfering in their lives, decide to set her up with someone so she can leave them alone. They end up paying Ray, the local “playboy,” $5,000 to date her. The plan goes by smoothly, but troubles comes when Ray actually falls in love with Eva.
Coming for the King is a fictional account of the events and the people that surrounded Martin Luther King Jr. from early 1963 until his untimely demise in the Spring of 1968.
A filmmaker sets out to discover the life of Joyce Vincent, who died in her bedsit in North London in 2003. Her body wasn’t discovered for three years, and newspaper reports offered few details of her life – not even a photograph.
Convinced he’ll graduate with honors because of his thesis paper, a stuffy Harvard student finds his paper being held hostage by a homeless man, who might be the guy to school the young man in life.
Set in 1905. The story focuses on a young and inexperienced man in a revolutionary execution squad. He does his killing job out of idealism, and for the love of a woman. The young student murders a Russian spy and is afterwards arrested by the police. Much to his surprise he is released after a session with the traitor-judge, hinting at some leaks in the organisation. Student reports his suspicions back to the organisation, but in response is given a new hit mission.
“The Risk not Taken” is a story about making the right decisions. Can one calculate the inherent risks of imminent decisions and take full responsibility for their outcome? Should one be allowed to make decisions of this magnitude for others? With the symbolic omnipotent sphere, the main character holds the world’s fate in his hands. The decision is his whether to use this power to improve life for many, yet at the same time might risk a catastrophe, or to separate himself from this power, and take the safer, more long lasting path. As he ponders and envisions the possible risks involved if he were to use the power, as well as what he would lose if he made the wrong decision, symbolized by the woman and child, he decides against this burden of power and lets go of the power and lets the sphere fall so as not to be tempted to change his mind.
Circa 1861, Angelina, ruling countess of an Italian principality, is at a loss when invaded by a Hungarian army. Her lookalike ancestress Francesca, who saved a similar situation 300 years before, comes to life from a portrait to help her descendant. Complicating factor: the newlywed countess feels strangely drawn to the handsome invader…
Jaded ex-CIA operative John Creasy reluctantly accepts a job as the bodyguard for a 10-year-old girl in Mexico City. They clash at first, but eventually bond, and when she’s kidnapped he’s consumed by fury and will stop at nothing to save her life.
Set in 2006 and based on the true story of Elizabeth Shoaf, this powerful film explores the tension-filled ten days Elizabeth was kidnapped and held prisoner by Vinson Filyaw. Imprisoned in a secret underground bunker hidden deep in the woodland, Elizabeth finds herself at the mercy of an erratic and dangerous fantasist who dreams of one day making her his wife… While a massive police hunt unfolds above ground, it falls to Elizabeth to somehow outwit her captor if she is to survive…