Summer 1863. The Confederacy pushes north into Pennsylvania. Union divisions converge to face them. The two great armies clash at Gettysburg, site of a theology school. For three days, through such legendary actions as Little Round Top and Pickett’s Charge, the fate of “one nation, indivisible” hangs in the balance.
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Clew is the story of Jack Hadrian, a painter living in the mid-21st century who contracts for the purchase of a Muse, a genetically engineered lifeform designed to be his perfect mate, after his fiancée disappears mysteriously.
Romeo and Juliet has never been more provocative than in this contemporary all-boy staging. Writer/director Alan Brown transfers the setting from fair Verona to a high school military campus where a small group of boys from rival schools act out the tragedy in real life. This bold adaptation eschews convention and challenges common perceptions of masculinity, gay youth and the military. Anchored by solid performances, the film balances the tough dialogue, tender romance and unique setting with an erotic rhythm and a few surprising twists.
A whimsical fish-out-of-water story of two spoiled sisters: Nora (Camilla Belle), a law student, and Mary (Alexa Vega), an undergrad party girl, living with their father in a luxurious mansion in Beverly Hills. Mary has become so “90210” she refuses to admit she is of Mexican decent. When dad suddenly passes away, their posh lives are turned upside down. They discover they have been left penniless and are forced to move into their estranged aunt Aurelia’s (Adriana Barraza) modest but lively home in the Latino-centric Boyle Heights neighborhood of East LA.
When her husband keels over from a stroke, Raynelle Slocumb calls the entire clan together to remember their dearly departed. Family tensions reach a comedic boil as the wildly dysfunctional Slocumbs squabble and fight their way to the funeral.
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A prepubescent chess prodigy refuses to harden himself in order to become a champion like the famous but unlikable Bobby Fischer.
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