Strippers in Manhattan are being stalked and murdered by a psycho. A hard-nosed police detective and a conflicted ex-boxer-turned-private-eye, hired by the strip club owners, set out to find him before he strikes again.
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Boston is being terrorized by a series of seemingly random murders of women. Based on the true story, the film follows the investigators path through several leads before introducing the Strangler as a character. It is seen almost exclusively from the point of view of the investigators who have very few clues to build a case upon.
North London band Wolf Alice have had a rise to prominence that might have been bends-inducing were it not for their tightness as a group. In summer of 2015, the deliciously dark, hook-and-riff-filled sound of their debut album, My Love Is Cool, inspired the NME to crown it: “the debut of the decade”. As a measure of their impact, BAFTA-winning filmmaker Michael Winterbottom joined the band on the road, capturing 16 different gigs and daily life backstage.
Tsukasa got into a severe car accident when she was a high school student. She still suffers from the effects of that accident, with memory impairment and needing to use a wheelchair. Tsukasa falls in love with taxi driver Masaki. Even though they have difficulties, they try to make a happy family together, but they encounter another serious situation.
Nick Moon, P.I. (Paranormal Investigator), delves into a hidden world of monsters and creatures of the night as he takes on a case to retrieve an ancient artifact with astonishing power.
When a couple sets out to build their dream house, they enlist the services of an uncompromising modernist architect, who proceeds to build HIS dream house instead of theirs.
It is the story, the process of becoming more and simultaneously less than human through technology as it follows a few characters through this transformation of becoming.
A young, hipster entrepreneur crashes and burns on the eve of his company’s big launch. With his entire life in disarray, he leaves Manhattan to move in with his estranged pregnant sister, brother-in-law and three year-old nephew in the suburbs — only to become their manny. Faced with real responsibility, he may finally have to grow up — but not without some bad behavior first.
After being rejected from the police college, a mannerly man travels to Bangkok where he and an energetic distant relative must solve a murder case.
Diagnosed with ovarian cancer, iron-willed journalist Sheng Nan (“Surpass Men” in Chinese) is pressured to make a quick fortune and find mind-blowing sex before the costly surgery numbs her senses. Taking on a businessman’s biography writing job, she hikes into the misty mountains, where a chain of outbursts with her dysfunctional family, grumpy client, misogynistic co-worker and dreamlike romantic interest hilariously unfold. As deeply moving as it is luminously witty, writer-director Teng Congcong’s debut waltzes across the bitterness swallowed by her generation of women born under China’s One Child Policy, unprecedentedly burdened to “surpass men” while trying not to be “leftover women” at the same time. Saluting the 18th-century Chinese literature classic Dream of the Red Chamber in its title, the enchanting gem refreshes the novel’s transcendent contemplation on desire, death and womanhood from a modern cinematic perspective.
An experimental submarine, the “Siren II”, with a very experienced crew is sent to find out what happened to the “Siren I” after it mysteriously dissapeared in a submarine rift. Things go awry when they begin to find things that shouldn’t be there…
A young suburban family move into a new home, only to find something strange and fantastic there. At first inspiring, this discovery eventually threatens their bond as a family. Featuring David Tenenbaum, Nicol Zanzarella, Bobbie Prewitt and Charlie Mattera.
