After living in hiding for 17 years, a woman faces new danger when her daughter’s drug-dealing father locates them and expects her to repay the money she stole from him years earlier.

It is a movie following the coming-of-age for a boy; the story begins in the mid-60s, continues all through the 70s, and finishes in 1981. He is a creative young man facing the troubles of the first pangs of love and we observe the way he tries to handle them within his social surroundings, his family, and environment.

Two men share an odd friendship while they care for two women who are both in deep comas.

In 1990s Scotland, a group of Catholic school girls get an opportunity to go into Edinburgh for a choir competition, but they’re more interested in drinking, partying and hooking up than winning the competition.

A dazed woman walks the streets of Los Angeles looking for a man named David. After collapsing in a diner, she’s taken to the psychiatric ward of a nearby hospital. Flashbacks reveal her obsession for David as a result of borderline personality disorder which ultimately leads to murder.

Canada 1931: The unsociable trapper Johnson lives for himself in the ice-cold mountains near the Yukon river. During a visit in the town he witnesses a dog-fight. He interrupts the game and buys one of the dogs – almost dead already – for $200 against the owner’s will. When the owner Hasel complains to Mountie Sergeant Millen, he refuses to take action. But then the loathing breeder and his friends accuse Johnson of murder. So Millen, although sympathetic, has to try to take him under arrest – but Johnson defends his freedom in every way possible.

The American craft beer industry is booming like never before. One-and-a-half craft breweries open each day—but far fewer make it to year two. Follow along with in-depth profiles of passionate founders and brewmasters as they struggle to navigate and maintain their place in the industry and in the communities that surround them.

A famous model, trapped inside an upside-down car, reaches a mysterious man on her damaged cell phone. However, roadside assistance is the last thing on the stranger’s mind.

Puppets! Pixels! Anime! Live action! Stock footage!
Lumpennerd Johannes Grenzfurthner gives an ideotaining cinematic revue about important political concepts. Everyone is talking about freedom! Privacy! Identity! Resistance! The Market! The Left! But, yikes, Johannes can’t tolerate ignorant and topically abusive comments on the “Internet” anymore! Supported by writer Ishan Raval, in this film, Johannes explains, re-evaluates, and sometimes sacrifices political golden calves of discourse.
Not to be used with false consciousness or silicone-based lubricant.

A high school girl must try to keep her past life of killing her best friend a secret from a guy who likes her.

Although he’s credited only for story, the dialogue has Fuller’s headline punch, and of course newspapering was an alternative universe he knew inside out. A publisher whose once-honest New York tabloid has been ideologically hijacked is aiming to make a course correction. Minutes after saying, “The power of the press is the freedom to tell the truth–it is not the freedom to twist the truth,” he’s a dead man. The rest of the movie deals with the efforts of his old friend, small-town newsman Guy Kibbee, to complete the paper’s redemption. Made in mid World War II, the picture angrily and explicitly likens homegrown demagoguery to Nazism–and its condemnation of media organizations “playing on the prejudices of stupid people” has acquired fresh relevance. Otto Kruger and Victor Jory (“a little Himmler”) supply the villainy, while Lee Tracy steps up to save the day as a casehardened yellow journalist named Griff.

In the year 1935, a teen named Billy Bathgate finds first love while becoming the protégé of fledgling gangster Dutch Schultz.