When her husband John has a heart attack while out in a rowboat on the lake, Louise Haloran throws his body overboard and later tells the family that he has left on an urgent business trip. Her main concern is that she can only inherit a part of the family fortune if if her husband is alive. The Halorans are a strange family, still grieving over the death of the youngest daughter Kathleen who drowned in a pond when she was just a child. They hold an annual ceremony of remembrance every year on the anniversary of her death. This year however, someone is wielding an ax intent on murder.
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In the near future, Frank, a police officer, discovers that the legalization of all recreational drugs comes with a price.
On a deep space mining mission to a remote planet, an ancient religious relic – thought to be proof of the existence of God – is unearthed and brought aboard. When the unholy artifact unleashes a long-dormant alien race, its glimpse of Heaven transforms the ship into a living Hell. A prequel to the events of the 2008 video game Dead Space.
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Page Eight is lovingly turned, with elegant writing, a flawless cast and a heartfelt message from writer/director David Hare about the danger zone where spies and politicians meet. The tension builds gently as we follow the fortunes of Johnny Worricker, a jazz-loving charmer who works high up at MI5 as an intelligence analyst. It’s a part made for Bill Nighy and he purrs out bon mots with a weary panache that women 20 years younger find irresistible. One such is his neighbour, Nancy Pierpan (Rachel Weisz), in a Battersea mansion block. The question for Johnny is whether her interest in him is genuine or hides something darker. As his boss (Michael Gambon) puts it: “Distrust is a terrible habit.” Questions of trust, honour and friendship rumble through the play. The characters exchange oblique repartee as a plot about a damning dossier unwinds. It’s not to be missed.
After his girlfriend’s death, an aimless musician spirals into a genre-bending fever dream.
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After a group of boy scouts are mysteriously killed by a wolf-like creature on Cadaverous Island, Walter Romero, whose best friend was among the killed, sets out to find exactly what happened. In order to reach the island, Walter teams up with Johnny Mason, neighborhood stoner, to smoke up Ashley Valinski, neighborhood hottie, and get her to take them out on her father’s boat. But soon after arriving on Cadaverous Island, a horde of zombies steals their boat, leaving them stranded, and the three are forced to team up with two cops, the mayor, and a team of botanists to either kill the monsters… or be killed themselves….. DUN-DUN-DUN!!!
Inspired by Arthur Schnitzler’s classic La Ronde, screenwriter Peter Morgan and director Fernando Meirelles’ 360 combines a modern and dynamic roundelay of stories into one, linking characters from different cities and countries in a vivid, suspenseful and deeply moving tale of love in the 21st century. Starting in Vienna, the film beautifully weaves through Paris, London, Bratislava, Rio, Denver and Phoenix into a single, mesmerizing narrative.