One man’s journey to disprove the theory of astrology leads him to answer some bigger question about life, love, fate and destiny.

Tom Ripley is a calculating young man who believes it’s better to be a fake somebody than a real nobody. Opportunity knocks in the form of a wealthy U.S. shipbuilder who hires Tom to travel to Italy to bring back his playboy son, Dickie. Ripley worms his way into the idyllic lives of Dickie and his girlfriend, plunging into a daring scheme of duplicity, lies and murder.

On a March night in 1964, 37 neighbors in Queens, New York, witness the brutal murder of Kitty Genovese. None of them takes action or calls the police. 37 tells the story of a few of these people and what led up to the night when they unexplainably remained passive observers. The film is a convincing portrayal of a borough in change and a time characterized by racism, the Civil Rights Movement and political shifts. The actual event that inspired the film’s plot has been called a symbol for the moment when America lost its innocence. The director Puk Grasten skillfully weaves into her feature film debut various fates, dreams and family conflicts by leading us through an apartment building that comes to bear a collective failure.

After many years away, Ariel is summoned by his distant father to his childhood home in the bustling Jewish quarter of Buenos Aires, known as El Once. Over the course of seven days, during the vibrant holiday of Purim, Ariel seeks to reconnect with his father, who runs a Jewish charity and is regarded as a big macher in the close-knit community, but was frequently absent due to his obligation to fulfill the Jewish quorum of having 10 men present at all funerals.

The story follows Abby, a thirty-something artist living in Rhode Island caring for her husband William after he’s tragically injured in a bar fight. As she attempts to coax him back to health, James, her childhood sweetheart and unrequited love, attempts to coax her back into living life again herself. The complicated love triangle that ensues is touching, poignant, and concludes with a realization that’s as profound as it is beautiful.

Set in 19th Century Canada, Brigette and her sister Ginger take refuge in a Traders’ Fort which later becomes under siege by some savage werewolves. And an enigmatic Indian hunter decides to help the girls, but one of the girls has been bitten by a werewolf. Brigitte and Ginger may have no one to turn to but themselves.

Venu is the victim of his family’s treachery. They put a spoke in the wheel when he tries to sell his property to finance his daughter’s MBBS admission. It is the story of a father’s struggle to fight against all odds to fulfil his daughter’s dream.

The artist’s personal commentary on the decline of his country in a language closer to poetry than prose. A dark meditation on London under Thatcher.

Middle-aged widow Beatrice Hunsdorfer (Joanne Woodward) and her daughters Ruth (Roberta Wallach) and Matilda (Nell Potts) are struggling to survive in a society they barely understand. Beatrice dreams of opening an elegant tea room but does not have the wherewithal to achieve her lofty goal. Epileptic Ruth is a rebellious adolescent, while shy but highly intelligent and idealistic Matilda seeks solace in her pets and school projects, including one designed to show how small amounts of radium affect marigolds.

Spanish soldiers battle indigenous tribes and their own brutal natures as they search for a legendary city built of gold.

An inspirational true story. On what seemed like any other day, Elders Travis Tuttle (Corbin Allred) and Andrew Propst (Maclain Nelson) are approached by Nikolai (Nikita Bogolyubov) to teach a friend. But then the missionaries experience the unimaginable – they are kidnapped, beaten, and held for ransom. While their families, friends, and the world pray for their safe release, Tuttle and Propst are tested physically, emotionally, and most of all spiritually.

During the trial of a man accused of his father’s murder, a lone juror takes a stand against the guilty verdict handed down by the others as a result of their preconceptions and prejudices. The film is adapted by Reginald Rose from his own 1957 film version (directed by Sidney Lumet) and from the Westinghouse One television production that predated it. George C. Scott won a Golden Globe for his supporting role; righteous juror Jack Lemmon was denied such an honor for Best Actor, but recipient Ving Rhames (for Don King) dedicated his award to Lemmon.