King Henry II of England has trouble with the Church. When the Archbishop of Canterbury dies, he has a brilliant idea. Rather than appoint another pious cleric loyal to Rome and the Church, he will appoint his old drinking and wenching buddy, Thomas Becket, technically a deacon of the church, to the post. Unfortunately, Becket takes the job seriously and provides abler opposition to Henry.
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In an old apartment building on the wrong side of the tracks, two women, unknown to each other, live across the hall on the second floor. Galia is an assassin involved against her will with the local sex-traffic mafia. All she wants is to reunite with her little daughter that she left back home in Russia. Eleanor is a grocery store cashier and a battered wife. She dreams of winning the lottery and running away from her abusive husband. Galia and Eleanor don’t know each other, but as neighbors they share two things: an adjoining wall and a strong need to plan their escape. As Galia disobeys her latest contract, a woman target, and Eleanor discovers that she’s pregnant, the two women decide to take action against their oppressors in a fight for survival and freedom.
Jacques Arnault, head of Sud Secours NGO, is planning a high impact operation: he and his team are going to exfiltrate 300 orphan victims of the Chadian civil war and bring them to French adoption applicants. Françoise Dubois, a journalist, is invited to come along with them and handle the media coverage for this operation. Completely immersed in the brutal reality of a country at war, the NGO members start losing their convictions and are faced with the limits of humanitarian intervention.
Eight unsuspecting high school seniors at a posh boarding school, who delight themselves on playing games of lies, come face-to-face with terror and learn that nobody believes a liar – even when they’re telling the truth.
Set in the belly of Los Angeles’ criminal underworld, Arc is the story of Paris Pritchert, a former police officer turned drug dealer and addict, who embarks on a quest to find a missing child in the hope of redeeming his eroding character. The only catch is, like all addicts, Paris’ confidence completely relies on the drugs in his system and — in this case — his firm belief that he can succeed in his mission if he can just stay high 24/7 and alive long enough to see it through. To aid in the endeavor, Paris enlists the help of Maya Gibbs, an African American prostitute versed not only in the language of the street, but also in the words of Maya Angelou and Nadine Gordimer. And together, the path of this dysfunctional duo crosses with those of the child’s parents, a doctor with a penchant for soliciting “Street Boys”, a self-ascribed King Of Porn, a drug supplier with a gift for making impeccable hors d’oeuvres, and a hardened cop with more scams than the most adept street hustler.
The picture opens in Krasnoyarsk, Siberia, in late 1988, when military trainees Petrovsky, Ryaba, Chugun, Stas, Pinochet, Lyutev and Vorobyev are whipped into shape at a training camp by the brutal, sadistic commander, Warrant Officer Dygalo – prior to being sent off to the front lines. After several one-by-one dalliances with the local whore, Snow White, and a cautionary lecture on the history, geography and culture of Afghanistan (which most of the men sleep through), the trainees head off to battle – first to the Bagram air base, then to the Afghani province of Khost to secure supply lines. But nothing can begin to prepare them for the brutal devastation into which they are plunged, or the relentless tide of slaughter that scatters thousands of Soviet victims in its wake.
Dagmar works at a gas station struggling to pay her debts. Lippo is fired by his chef swearing revenge. Karl and his weird friend Rizzo find a bag filled with money which lead them to rash actions. Three car crashes. Three days. Three stories.