A young man travels back in time, finding himself entrenched in the Civil War with an army of Frankensteins.
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From the land of early Peter Jackson comes another Braindead movie in bad taste. It’s the third day of shooting the low budget horror ‘Tonight They Come’ on location in the wilds of New Zealand. Director SMP is already beside himself having to work with a self-obsessed leading man and a bimbo actress when into his line of fire comes a new runner, wannabe screenwriter Wesley Pennington. Clearly an accident-prone nerd, Wesley nevertheless tries his best to fit in with the crazed cast and demented crew while falling head over heels for Susan, the set caterer. But something nasty has entered the local water supply and suddenly the zombie extras start acting like genuine members of the living dead, gore stunts looks even more authentic and actual severed limbs fly. Reel life turns real as Wesley attempts to save the day while ensuring his latest script will get made.
After her father’s death, a cop returns to the small town (and its secrets) she left behind.
A woman with increasingly disturbing and violent dreams consults a famous sleep therapist known for his controversial treatments. Her experience plummets her into the dark, twisted depths of her subconscious, grasping for her sanity.
A group of young women teamed together in their youth to run a babysitting business, when one of their friends died suddenly the group fell apart. Now years later they are all going their separate ways as college approaches, but on Halloween night someone is torturing and killing every member of the babysitter club…
Whiton University unravels the night a star-athlete is murdered, kicking off a spree of social media slayings that force students to uncover the truth behind the school’s hidden secrets and the horrifying meaning of an exclamation point.
In 1957, Dorothy and Edmund Yates (Keith and Rupert Davies) were committed to an institution for the criminally insane, she for acts of murder and cannibalism and he for covering up her crimes. Fifteen years later, they are pronounced fit for society and released. However, in Dorothy’s case the doctors may have jumped the gun a bit. Edmund and eldest daughter, Jackie (Deborah Fairfax), try to discover just how far Mother’s bloodlust has taken her. Meanwhile, youngest daughter Debbie (Kim Butcher) begins to explore the crazy roots of her family tree as fully as possible.
A young man named Sherman survives the apocalypse in a soviet-style alternate reality and when trying to find his place outside an isolated city, gets stuck in an underground bunker.