A story about a seemingly unlikely couple who cross paths under life-threatening circumstances as though they are destined not only to meet but to save each other’s lives. Not once, but twice.
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Twenty-year-old Cal returns from France to Britain after receiving news that his mother is ill. His finds his home city of Bristol facing hard economic times brought on by the global economic crisis, with poverty and crime on the rise and rioting and looting almost a nightly occurrence. It is not a warm homecoming as his sick mother remains stubbornly homophobic and wants nothing to do with the now openingly gay Cal while his battered Auntie Jane, now living in a run down council house, dulls her stagnation with welfare funded booze and disturbing attempts to sexually seduce her nephew. Navigating his way across this new landscape he meets a young student who needs his help. However his act of kindness brings him into contact with a lawless drug dealing pimp and a race against time to make peace with his mother and get out of town as quickly as possible. An intense tale of a family mired in poverty, angry and lost but still searching for love, respect and acceptance.
The first film in the Seto language in the world speaks about the brightest heroine of a small people, the folk singer Hilana Taarka, a woman who lived her whole life as an outcast in a small chimney-less hut; as an unmarried mother of children in poverty, begging her bread, doing odd jobs and singing. She always sang the truth, sometimes bitter, sometimes funny, sometimes cruel. She was feared, despised and coveted. Taarka sang throughout her remarkable life, throughout her fate, from a small Seto village to international fame. And she sang well. Really well. Taarka became the Mother of the Song, a legend. But as a woman, as a member of the community, the Seto people never really accepted her. Taarka – a despised woman and a worshiped singer.
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