Simple conversations engender complicated human interactions. The first in Eric Rohmer’s Four Seasons series, Conte de printemps (A Tale In Springtime) is the story of an introverted young girl (Florence Darel) just reaching adulthood who takes a liking to an older woman she meets at a party (Anne Teyssedre) and determines to match her off with her father (Hugues Quester), despite the latter’s already having a lover of his own. There is a certain absurdity to this, apparent to both adults, who though both reluctantly attracted to each other resent Darel’s attempts at matchmaking. Nevertheless, both of them are intelligent enough to understand that there is no ‘proper’ way to meet, and are alive to the possibilities that life brings them. Darel, for her part, is a persistent catalyst. As with all Rohmer films, the stage is set, in an age of increasing impermanence and uncertainty in human relationships, for a series of minimalist reflections on love and life.
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When a well-known environmental researcher is murdered in the Amazon jungle, an arrogant photojournalist joins forces with a beautiful young activist to find out who is responsible. Along they way, they fall in love as they discover the men responsible for the killing would be more than willing to murder again if it will keep them quiet.
The wife of a Marine serving in Vietnam, Sally Hyde (Jane Fonda) decides to volunteer at a local veterans hospital to occupy her time. There she meets Luke Martin (Jon Voight), a frustrated wheelchair-bound vet who has become disillusioned with the war. Sally and Luke develop a friendship that soon turns into a romance, but when her husband, Bob (Bruce Dern), returns unexpectedly, she must decide between staying with him and pursuing her new love.
An out-of-work singer, Victoria Grant (Julie Andrews), meets a just-fired, flamboyant gay man in a diner in 1920’s Paris. He convinces her to pretend to be a man who is a female impersonator in order to get a job. The act is a hit in a local nightclub, but things get complicated when a gangster and nightclub owner from Chicago, King Marchan (Michael Nouri) falls in-love with “her.” Flimed live on stage on Broadway, 1995
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A socially thought-provoking and stirring love story based on the French novella, ‘François Le Champi’ by George Sand.
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