An unusual love-hate relationship between a 75-year-old son and his 102-year-old father, who wants to break the oldest-man-alive record.
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George Kuffs didn’t finish high-school, just lost his job, and his college-age girlfriend is pregnant. To top it off, George’s brother Brad is killed and George inherits Brad’s “patrol special” privatized police district and all the problems that come with it.
Ooejo agricultural high school is located in Hokkaido. Most students are from families involved in agriculture and their dreams are to continue working in agriculture. Meanwhile, Yuugo (Kento Nakajima), who graduated from a prestigious middle school, applied to the Ooejo Agricultural High School just because the school has a dormitory. Yuugo, who grew up in the city, finds himself in an unfamiliar environment at Ooejo Agricultural High School, surrounded by nature and animals. Yuugo is also the only one who doesn’t know what type of career he wants to pursue. Yuugo becomes impatient. He goes through struggles everyday, but he he also gets to know the other students and rural life in general. He begins to grow as a person.
The lives of urbanites intertwine in a world where anything can happen at any time.
Legendary New York graffiti artist Lee Quinones plays the part of Zoro, the city’s hottest and most elusive graffiti writer. The actual story of the movie concerns the tension between Zoro’s passion for his art and his personal life, particularly his strained relationship with fellow artist Rose
The film spans 30 years in Julieta’s life from a nostalgic 1985 where everything seems hopeful, to 2015 where her life appears to be beyond repair and she is on the verge of madness.
America’s only missing nuclear weapon is leaking radioactive material into the ocean just off the coast of Tybee Island, GA. The trifling existence of a hapless cast is disrupted by a vicious force of nature that shows no mercy.
Tom Ripley – cool, urbane, wealthy, and murderous – lives in a villa in the Veneto with Luisa, his harpsichord-playing girlfriend. A former business associate from Berlin’s underworld pays a call asking Ripley’s help in killing a rival. Ripley – ever a student of human nature – initiates a game to turn a mild and innocent local picture framer into a hit man. The artisan, Jonathan Trevanny, who’s dying of cancer, has a wife, young son, and little to leave them. If Ripley draws Jonathan into the game, can Ripley maintain control? Does it stop at one killing? What if Ripley develops a conscience?