Jessica Brown Findlay
England, 1940: When falling bombs trap eight children in the cellar of their orphanage, their teacher, Miss Shaw starts to read them a story. As the tale unfolds, they are magically transported to a timeless, mythical island, where they witness the story of Darkness and Light…
To free Baba Yaga and Renfield from the clutches of Monster Hunter Mila Starr, the Wishbone Family once more transforms into a Vampire, Frankenstein’s Monster, a Mummy and a Werewolf. Aided and abetted by their three pet bats, our Monster Family zooms around the world again to save their friends, make new monstrous acquaintances and finally come to the realization that ‘Nobody’s Perfect’ – even those with flaws can find happiness.
The Banishing tells the story of the most haunted house in England. In the 1930s, a young reverend, his wife and daughter move into a manor with a horrifying secret.
Set in post-war Britain, ten year-old Lewis Aldridge is grief-stricken as he struggles to cope with the death of his beloved mother. Left under the care of his emotionally distant father Gilbert, whom he barely knows and who quickly remarries, Lewis is forced to bury his feelings.
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Free-spirited writer Juliet Ashton forms a life-changing bond with the delightful and eccentric Guernsey Literary and Potato Peel Pie Society, when she decides to write about the book club they formed during the occupation of Guernsey in WWII.
Despite the title the Wishbone family are far from happy. In an attempt to reconnect as a family Mum, Emma, plans a fun night out. However her plan backfires when an evil witch curses them and they’re all turned into Monsters.
A portrait of Steven Patrick Morrissey and his early life in 1970s Manchester before he went on to become lead singer of seminal 1980s band The Smiths.
Brothel owner, Margaret Wells, struggles to raise her daughters in London during the 18th century.
Estranged from his family, Jonathan (Hedlund) discovers his father has decided to take himself off life support in forty-eight hours’ time. During this intensely condensed period, a lifetime of drama plays out. Robert (Jenkins) fights a zero sum game to reclaim all that his illness stole from his family. A debate rages on patients’ rights and what it truly means to be free. Jonathan reconciles with his father, reconnects with his mother (Archer), sister (Brown-Findlay), and his love (Adams) and reclaims his voice through two unlikely catalysts – a young, wise-beyond-her-years patient (Barden) and a no-nonsense nurse (Hudson). Through this intensely life affirming prism, an unexpected and powerful journey of love, laughter, and forgiveness unfolds.